The Tobey Maguire Spider – Man Trilogy (2002 – 2007)

The Tobey Maguire Spider – Man Trilogy (2002 – 2007)

Spider–Man (2002)

C – 121m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Spider–Man: The Motion Picture, Spiderman
Marvel Comic Book By: Stan Lee and Steve Ditko
Screenplay By: David Koepp
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, Gerry Becker, Elizabeth Banks, John Paxton, Jason Padgett, Jim Ward, David Holcomb, Octavia Spencer, Jim Norton and Stan Lee.

A geeky high school outcast gets bitten by a spider and gains superpowers. A very entertaining way to bring the comic book hero to the big screen. A good start to the trilogy.

Trivia: Hugh Jackman was supposed to have a cameo as Wolverine and even showed up to shoot the scene but the idea was scrapped because the production could not get the costume from X–Men (2000). Tobey Maguire’s nose kept filling with water during the upside–down kiss in the rain. The first issued film poster was recalled because it featured The World Trade Center as part of the NYC skyline, 9/11/2001 had just occurred.

Oscar® nominated for Best Sound and Best Visual Effects.
Rated: [PG–13] – Stylized Violence & Action
Available on 4K and regular Blu–ray, DVD & Digital Copy 

Spider–Man 2 (2004)

C – 127m (Theatrical Cut) / 135m (Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Spider–Man 2: The IMAX Experience, The Amazing Spider–Man, Spider–Man: No More, Spider–Man 2 Lives, Spider–Man 2.1, Spider–Man 1.5, Spiderman 2
Comic Book By: Stan Lee and Steve Ditko
Screen Story By: Alfred Gough, Miles Millar and Michael Chabon
Screenplay By: Alvin Sargent
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Kirsten Dunst, James Franco, Alfred Molina, Rosemary Harris, J.K. Simmons, Dylan Baker, Willem Dafoe, Cliff Robertson, Elizabeth Banks, Bruce Campbell, Stan Lee, John Paxton and John Landis.

Peter Parker’s personal life is in a tailspin as he battles Dr. Otto Octavius. Smart sequel and by far the best entry in the Raimi – Maguire trilogy. Everything works! The preferred cut is the Extended Cut. 

Trivia: Tobey Maguire was having back problems and almost didn’t make this film. Jake Gyllenhaal was set to replace him but Maguire returned for the film. The, “My back!” joke after Peter Parker falls from the roof, just happened to be in the script before Maguire’s back issues arose. (Anyone else skeptical?) When Peter Parker flips over an oncoming car, Tobey Maguire did the stunt himself. A stuntman also did it but director Sam Raimi liked Maguire’s take and thought it looked more natural, so he used it. 

Oscar® winner for: Best Visual Effects. Additionally nominated for Oscars® for: Best Sound Mixing and Best Sound Editing.

Rated: [PG–13] – Stylized Action Violence
Available in Theatrical Cut and Extended Cut on 4K and regular Blu–ray, DVD & Digital Copy

Spider–Man 3 (2007)

C – 139m (Theatrical Cut) / 137 (Editor’s Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Spider–Man 3: The IMAX Experience, Spiderman 3, 3
Marvel Comic Book By: Stan Lee and Steve Ditko
Screen Story By: Sam Raimi and Ivan Raimi
Screenplay By: Sam Raimi, Ivan Raimi and Alvin Sargent
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church, Rosemary Harris, J.K. Simmons, James Cromwell, Theresa Russell, Dylan Baker, Bruce Campbell, Elizabeth Banks, Willem Dafoe, Cliff Robertson, John Paxton, Becky Ann Baker, Stan Lee and Joe Manganiello. 

A dark entity from another world threatens to take over Peter Parker as he battles new villians, causing inner turmoil. Dismal final outing in the Raimi – Maguire trilogy leaves one feeling sorry that the story came to this. Watchable only as part of the series. The preferred cut is the theatrical cut, oddly.

Trivia: All of the screams Kirsten Dunst has in this film are reused from Spider–Man 2 (2004). The film took two years and ten months to make. At one point it was a consideration to split the film into two parts. Many scenes were shot that were never released theatrically as part of the film or on home video as part of the bonus features. Many of them considered too dark for consumption. This was Cliff Robertson’s final film before his death on September 10, 2011 at the age of 88.

Rated: [PG–13] Sequences Of Intense Action Violence
Available in Theatrical Cut and Editor’s Cut on 4K and regular Blu–ray, DVD & Digital Copy

The Lodger Films (1927–2009)

The Lodger (1926 / 1927)

B&W – 98m (Ontario, Canada) / 92m (Theatrical) / 90m (2012 Restoration & TCM Print) / 74m (National Film Archive Print) / 67m (VHS)
Aspect Ratio: 1.33:1 – Fullscreen
A.K.A.: The Lodger: A Story Of The London Fog
Novel: The Lodger by Marie Belloc Lowndes
Play: “The Lodger” by Marie Belloc Lowndes
Scenario By: Eliot Stannard
Uncredited: Sir Alfred Hitchcock
Prod.: Michael Balcon
Dir.: Sir Alfred Hitchcock
Starring: Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen, Ivor Novello, Reginald Gardiner, Eve Gray, Sir Alfred Hitchcock and Alma Reville.
Script Supervisor: Elma Reville

SILENT FILM

A landlady suspects her new lodger is the madman killing women in London. The first surviving Jack The Ripper film boasts of the talents of Alfred Hitchcock, his wife Alma Reville and actor Reginald Gardiner. As it is a silent film it helps to pay attention when watching the film and not try to multitask. The film is dated and stilted but worth watching for the fact that it was Hitchcock’s first suspense film and the first surviving Jack The Ripper film. 

Trivia: This was the first Sir Alfred Hitchcock film in which Hitchcock had cameo. For the opening of the film Hitchcock wanted the Avenger’s murder victim being dragged out of The Thames River with the Charing Cross Bridge in the background. His request to shoot the scene was turned down by Scotland Yard. After several more appeals to the Yard, Hitch got his answer when they agreed to look the other way if he could shoot it in one night. Hitch sent the cameraman and his actors to shoot the scene. After the film was developed they searched frantically for the scene. It was discovered that the cameraman forgot to load the lens on the camera before shooting the scene. The original story had hints of homosexuality and incest but Ivor Montagu changed that by removing title cards, bringing the number from 400 down to 80, at the behest of producer Michael Balcon.

The book is supposedly based on a story told to painter Walter Richard Sickert, writer Patricia Cornwell’s pick for who was Jack The Ripper, by a landlady who made the claim that her last lodger was Jack The Ripper. This was the film debut of Reginald Gardiner. Ivor Novello reprised his role in the first talkie remake of this film: The Phantom Fiend (1932).

Out Of Print on VHS but Available on Blu–ray, DVD & Digital Copy separate and as part of The Criterion Collection

The Phantom Fiend (1932)

B&W – 67m (Full Running Length – beware of shorter prints)
Aspect Ratio: 1.37:1 – Fullscreen
A.K.A.: The Lodger
Novel: The Lodger by Marie Belloc Lowndes (as Mrs. Belloc Lowndes)
Scenario By: Miles Mander and Paul Rotha
Adapted For The Screen By: H. Fowler Mear
Uncredited: Ivor Novello
Dir.: Maurice Elvey
Starring: Ivor Novello, Elizabeth Allan, A.W. Baskcomb and Jack Hawkins.

A landlady suspects her new lodger is the man killing women in London. Interesting but somewhat lesser version of the Sir Alfred Hitchcock classic. Hitch had the visual flair while this relies on the new addition of sound. Still it does build some suspense. Worth a look.

Trivia: This film is in public domain. Ivor Novello reprised his role from the classic Sir Alfred Hitchcock Film. Hitchcock was asked to direct but declined. 

Available on DVD, Digital Copy & on YouTube

The Lodger (1944)

B&W – 84m
Aspect Ratio: 1.37:1 – Fullscreen (Theatrical Ratio) / 1.34:1 – Fullscreen (Blu–ray Ratio)
A.K.A.: Jack The Ripper
From The Novel: The Lodger by Marie Belloc Lowndes
Screenplay By: Barre Lyndon
Dir.: John Brahm
Starring: Merle Oberon, George Sanders, Laird Cregar, Sir Cedric Hardwicke, Sara Allgood, Aubrey Mather, Queenie Leonard, Doris Lloyd, Billy Bevan, Edmund Breon, Ruth Clifford, Herbert Clifton, Cyril Delevanti, Frank Elliott, Herbert Evans, Kit Guard, Gerald Hamer, Lumsden Hare, Forrester Harvey, Stuart Holmes, Boyd Irwin, Colin Kenny, Skelton Knaggs, Anita Sharp–Bolster, C. Montague Shaw, Ethel Sherman, Will Stanton and Frederick Worlock. Cinematography By: Lucien Ballard

A landlady suspects her new lodger of being Jack The Ripper. Splendid remake of the Hitchcock classic and subsequent 1932 remake that also starred Ivor Novello. Cinematography is wonderful! Oberon is stunning and Cregar is menacing. The suspense builds wonderfully and this reviewer will admit to having nightmares based on the ending chase. A must watch!

Trivia: Merle Oberon fell in love with the cinematographer, Lucien Ballard, and they were married the following year. Because of a car accident Oberon was in she had facial scars. Ballard created a way of lighting her that would wash out the scars. This technique is still called: “The Obie”, not to be confused with the Off–Broadway award. Laird Cregar’s screen presence created such a stir 20th Century Fox planned to cast him in many more roles capitalizing on his role here. The first of which was Hangover Square (1945). Unfortunately Cregar suffered a fatal heart attack and Hangover Square was released posthumously. This was filmed in 1943 and released in 1944. This film was remade by 20th Century Fox as: Man In The Attic (1953), which was filmed on the same sets and reused footage of the London police chasing Jack The Ripper on the rooftops. The sequence of the killing at the beginning of the picture was ordered to be placed there by studio chief Darryl F. Zanuck.

Available on Blu–ray, DVD & Digital Copy

Man In The Attic (1953)

B&W – 82m
Aspect Ratio: 1.66:1 – Widescreen
Novel: The Lodger By Marie Belloc Lowndes
Screenplay By: Robert Presnell, Jr. and Barre Lyndon
Exec. Prod.: Leonard Goldstein
Prod.: Robert L. Jacks
Dir.: Hugo Fregonese
Starring: Jack Palance, Constance Smith, Byron Palmer, Frances Bavier, Rhys Williams, Sean McClory, Leslie Bradley, Lester Matthews, Harry Cording, Lisa Daniels, Lilian Bond, Isabel Jewell, Rama Bai, Chet Brandenburg, Morgan Brown, Noble ‘Kid’ Chissell, Franklyn Farnum, Stuart Holmes, Michael Jeffers, Colin Kenny, Sylvia Lewis, Mickey Martin, Monty O’Grady, Joe Phillips, Bob Reeves, Cosmo Sardo and Ben Wright.

After an enigmatic, self–described pathologist rents the attic room of a Victorian house, his landlady begins to suspect that her lodger is Jack The Ripper. A near miss of a film remake of The Lodger suffers from stuffy scripting and over–acting. Likely best to skip this one.

Trivia: This film is in “public domain”. This is 20th Century Fox’s second stab at The Lodger story. Film debut of Lisa Daniels.

Available on DVD & Digital Copy

The Lodger (2009)

C – 95m
Aspect Ratio: 16:9 – Widescreen
Novel: The Lodger by Marie Belloc Lowndes
Writer – Dir.: David Ondaatje
Starring: Alfred Molina, Hope Davis, Shane West, Donal Logue, Philip Baker Hall, Rachael Leigh Cook, Rebecca Pidgeon and Simon Baker.

A couple rents out a room to a mysterious young man, who may or may not be guilty of a series of grisly neighborhood murders. While there are historical inaccuracies in this version, as with any other version, the film is a smart updating of the classic novel. Be aware that this is a premise only remake. Obviously Jack The Ripper was seldom mentioned in 2009. Worth a look as a completion of The Lodger story.

Trivia: Annie Chapman was Jack The Ripper’s second victim, not his fourth victim. Liz Stride and Catherine Eddowes were killed on the same night but in different locations unlike what is stated here.

Rated: [R] – Violent Content, Language & Brief Nudity
Available on DVD & Digital Copy