Alpha (2018)

Alpha (2018)

C – 96m
Aspect Ratio: 2.39:1 – Widescreen
A.K.A.: Untitled Albert Hughes Project, The Solutrean
Story By: Albert Hughes
Screenplay By: Daniele Sebastian Wiedenhaupt
Dir.: Albert Hughes
Starring: Kodi Smit–McPhee, Natassia Malthe, Leonor Varela, Johannes Haukur Johannesson, Jens Hulten, Mercedes de la Zerda, Spencer Bogaert, Priya Rajaratnam, Marcin Kowalczyk, Patrick Flanagan, Michael Kruse–Dahl, Kyle Glenn Sutherland (as Thomas Kyle), Louis Lay, Taran Kootenhayoo, Nestor de la Zerda, Blake Point and Nashon Douglas. 

In the prehistoric past, a young man struggles to return home after being separated from his tribe during a buffalo hunt and finds a similarly lost wolf companion to start a friendship that would change humanity (human and dog). This is a fairly well done origin story with okay acting and unfortunately way to obvious CGI. The pacing is slow but several scenes do create extreme tension and suspense. The cinematography is solid leaving out the CGI in many shots. In the interest of full disclosure this was a tough movie to watch for this reviewer due to cruelty to animals. See Trivia for one detail on that point. Another couple of others to note are these: The young man hits the dog / wolf hard a few times too many and he kills a vulture, which bites his lip thinking he is a morsel to feast on. As such, with the specifics pointed out, this reviewer was only able to see small snippets of the film between much of the time averting eyes from the screen. To reiterate: Some may handle the depictions better than others. As a film there is enough good here to make it a worth–while watch but it may be a tough watch for those who love animals, particularly dogs.

Trivia:

The breed of the dog in this film is Czechoslovakian Wolfdog. The theatrical release was delayed for an entire year. It was originally slated for September 2017 release, this film was moved to March 2018. In December 2017, this film was moved once again, this time to September 2018. The trailer was released in July 2017, more than an entire year before the actual film's release, rarity these days. This film could not bear a, "No animals were harmed in the making of this film," tag, as four bison were slaughtered for use on a skinning/hide–removal scene. Staff from Longview Beef Jerky dispatched the bison humanely. This film marked the first feature film directed by Albert Hughes without his brother, Allen Hughes. It also is the first of his films not to carry an [R]–rating. This film was shot near East Coulee, Alberta Canada and at Dinosaur Provincial Park near Patricia Alberta, Canada.

Rated: [PG–13] – Some Intense Peril
Available on 4K & Regular Blu–ray, DVD & Digital Copy

Kirk Douglas & Frank Sinatra Pairings (1963 & 1966)

Kirk Douglas and Frank Sinatra, another two of Hollywood’s brightest stars from Hollywood’s “Golden Age” also have to be two of the angriest actors ever written about. Douglas admitted to his anger in his book: The Ragman’s Son, while much was made of Sinatra’s temper while he was alive and many years after his death. Despite or rather in spite of their tempers, they managed to be in two films together, though not necessarily sharing many if any scenes. They also managed to be fairly good friends. Enough so that Kirk would go to Sinatra’s house for spaghetti dinners and some light gambling poker games. (If the rich are gambling: how ‘light’ is ‘light’?)

This also extended to their marriages. Douglas claimed to have counseled Ava Gardner during one of her stormy arguments with Sinatra, never telling him about it. And Sinatra in turn was reported to have made homemade chicken soup and spaghetti dinners for Douglas’s second wife any time she was under the weather. Douglas amusingly claims in two of his books that he would ask Frank Sinatra for some meal occasionally and Sinatra would, in polite terms here, tell him to, “go pound sand!”

Regardless for the reasons behind their friendship, however brief or long it may have been (reports vary), two fine films came out of these two wonderful entertainers: The List Of Adrian Messenger (1963) and Cast A Giant Shadow (1966). The latter is a repeat post – sorry! The former is a much scrutinized and analyzed film that can be summed up best in this reviewer’s mind as: a good mystery caper. Below are the reviews for said films.   

The List Of Adrian Messenger (1963)

B&W – 98m
Aspect Ratio: 1.85:1 – Widescreen
Based On A Story By: Alec Coppel (uncredited) and Philip MacDonald (credited)
Screenplay By: Anthony Veiller
Exec. Prod.: Kirk Douglas (uncredited)
Dir.: John Huston
Starring: Tony Curtis, Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, George C. Scott, Dana Wynter, Clive Brook, Gladys Cooper, Herbert Marshall, Marcel Dalio, Bernard Archard, Tony Huston (as Walter Anthony Huston), Ronald Long (as Roland Long), Alan Caillou (uncredited), Tim Durant (uncredited), Bernard Fox (uncredited), Paul Frees (uncredited), John Huston (uncredited), Delphi Lawrence (uncredited), Jan Merlin (uncredited), Barbara Morrison (uncredited), Richard Peel (uncredited), Noel Purcell (uncredited), Anita Sharp–Bolster (uncredited) and Dave Willock (uncredited).  
Music By: Jerry Goldsmith

A former intelligence officer is tasked by the heir to the Gleneyre estate to investigate the unusual deaths of a disparate group of eleven men on a list. Amusing little caper film is arguably one of the most scrutinized in Hollywood History, thanks in no small part to actor Jan Merlin’s claims (see trivia for details). While “who is under the makeup?” may be up for debate – shot to shot – the fact that this moves along at a good pace and has a decent storyline remains in tact. The cast and director, no matter how much or how little they are in the film, are appealing and in fine form.

Personal note: This reviewer is still impressed with the ending of this film, decades after seeing it at age 8.  

Trivia: In an article for Video Watchdog Magazine actor Jan Merlin claimed that he played the heavily made up parts in the film, mostly standing in for Kirk Douglas. He further claimed that Tony Curtis, Burt Lancaster and Frank Sinatra, doubled by Dave Willock, were never actually in the film and that they only filmed the “reveals” at the end of the film. He claimed to have used his experiences from this film for the reportedly thinly veiled novel: Shooting Montezuma: A Hollywood Monster Story, which he wrote. Elizabeth Taylor was reportedly offered a disguised role as a scruffy sailor named “Chesty” but turned it down known how painful the makeup would be. This film was partially shot on John Huston’s own estate in Ireland.

This was the final film of Clive Brook. John Huston cameos as Lord Ashton in a short dialogue scene in the last hunt. Paul Frees looped most of Jacques Roux’s dialogue in the film like, “thanks” when he accepts a drink from George C. Scott, this is attributed to sound issues on the set. He also provided a word or sentence (source depending) for Herbert Marshall. Frees is best known as the man who dubbed Tony Curtis’ Josephine voice in: Some Like It Hot (1959), since Tony Curtis couldn’t get his voice that high. This was the 4th of 7 films Kirk Douglas and Burt Lancaster made together. And finally: This film was spoofed in: Get Smart (1965–1970), Season 5, Episode 18: The Mess Of Adrian Listenger (1970).

Available on Blu–ray, DVD & Digital Copy

Cast A Giant Shadow (1966)

B&W / C – 146m
Aspect Ratio: 2.35:1 – Widescreen
Book By: Ted Berkman
Writer – Prod. – Dir.: Melville Shavelson
Co–Exec. Prod.s: Kirk Douglas and John Wayne (both uncredited)
Co–Prod.: Michael Wayne
Starring: Kirk Douglas, Senta Berger, Angie Dickinson, James Donald, Stathis Giallelis, Luther Adler, Topol, Ruth White, Gordon Jackson, Michael Hordern, Allan Cuthbertson, Jeremy Kemp, Sean Barrett, Frank Latimore, Frank Sinatra, Yul Brynner, Gary Merrill, Michael Douglas (uncredited), Rudolph Hess (archival footage), Geoffrey Palmer (uncredited), Franklin D. Roosevelt (archival footage), Jimmy Shaw (uncredited) and Joseph Stalin (archival footage).
Music By: Elmer Bernstein

In 1947, following the United Nations’ (U.N.’s) decision to split British Palestine into separate Jewish and Palestinian states, a former U.S. Army officer is recruited by the Jews to reorganize Haganah. Well done if just a tad overlong war drama. It should be noted that many dispute the historical accuracy of this film. However, this reviewer will not do so. Acting is strong and the script adds a few hints of humor: the recruiting of Douglas while he is shopping and Sinatra’s plane come to mind readily. (Seltzer? Really?) While this is not quite the epic that In Harm’s Way (1965) was, it is no less impressively mounted with yet another great cast. Worth a look on a rainy day, or in school towards the end of a school year.

Trivia: During filming John Wayne enraged Director Melville Shavelson with his views on the Watts Riots. Director Melville Shavelson and actor Kirk Douglas fought throughout this filming of this movie. At one point director Shavelson walked off set, leaving his assistant to take over for the day. This was Michael Douglas’ movie debut and Topol’s English film debut. The scene where Frank Sinatra’s spotter plane is attacked by an Arab fighter plane used a brief clip from: 633 Squadron (1964), showing a Nord 2002 (a French built Messerschmitt BF108).

Out Of Print on VHS but Available on Blu–ray, DVD & Digital Copy

Other Jack The Ripper Films & Shows (1961–2017)

 Thriller: Season 1, Episode 28: Yours Truly, Jack The Ripper (1961)

B&W – 60m
Aspect Ratio: 1.33:1 – Fullscreen
Story: Yours Truly, Jack The Ripper by Robert Bloch
Adaptation By: Barre Lyndon
Prod.: William Frye
Dir.: Ray Milland
Starring: Boris Karloff, John Williams, Donald Woods, Edmon Ryan, Ottola Nesmith, Adam Williams, Nancy Valentine, Sam Gilman, Gloria Blondell and J. Pat O’Malley.
Music By: Jerry Goldsmith

70 years after the Jack The Ripper killings in London, Sir Guy convinces the police that Jack The Ripper may still be alive, eternally young, and still killing, currently in New York City. Smart and spooky rendering of the tale of Jack The Ripper. While the gory sensationalism of the later Ripper film and television outings is absent, the atmosphere and tension of “Who is Jack The Ripper,” is present and makes this a must watch. Milland handled the directorial work splendidly and the actors are capable. Karloff, “The Gentle Monster”, intros this tale of suspense with his soothing voice very nicely. He was the perfect host for this show. 

Trivia: The director of this episode of Thriller, Ray Milland starred in Sir Alfred Hitchcock’s Dial M For Murder with actor John Williams. The story’s author Robert Bloch is the same man who wrote the novel Psycho (1960) was based on. He subsequently wrote sequels to Psycho and a Jack The Ripper novel, after this short story, titled: Night Of The Ripper.

Out Of Print on DVD but Available on YouTube and Digital Copy

Time After Time (1979)

C – 112m
Aspect Ratio: 2.35:1 / 2.39:1 – Widescreen (Theatrical Ratio) / 2.40:1 – Widescreen (Blu–ray Ratio)
Story: Time After Time by Karl Alexander and Steve Hayes
Screenplay By: Nicholas Meyer
Dir.: Nicholas Meyer
Starring: Malcolm McDowell, David Warner, Mary Steenburgen, Michael Evans, John Colton, Corey Feldman, Neil Armstrong (archival sound), Sir Winston Churchill (archival sound), Jimi Hendrix (archival footage), John F. Kennedy (archival sound), Douglas MacArthur (archival sound), Edward R. Murrow (archival sound), Franklin D. Roosevelt (archival sound).

H.G. Welles chases Jack The Ripper through time to the 20th Century when the serial murderer uses the future writer’s time machine to escape his own time. Smart and literate Sci–fi yarn pits H.G. Welles brilliantly against Jack The Ripper. This premise has spawned several books over the years and a failed TV show in 2017 (see review below). A cult classic like this is stylish though somewhat average. Worth watching over the failed show with the same title though!   

Trivia: Malcolm McDowell and Mary Steenburgen met and fell in love while making this film. They were subsequently married from September 29, 1980 – October 1, 1990. Screenwriter – director Nicholas Meyer chose not to let them meet before they filmed the scene where they meet in order to keep their reaction fresh for the take. Malcolm McDowell listened to recordings of H.G. Welles to prep for his role as Welles. The real Welles’ voice was high and croaky according to McDowell, hence he chose not to imitate it. All four of H.G. Welles’ children were still alive when this film was released. A deleted scene had H.G. Welles meeting a punk on a bus who was playing loud music on a boom–box. The premise of the scene was later used in Star Trek IV: The Voyage Home (1986), which was also co–written and directed by Nicholas Meyer. In the chase scenes at the hotel David Warner had a stunt double as he was recovering from two broken ankles at the time. In the close–ups you can see him running gingerly so as to not hurt himself. This was Corey Feldman’s film debut. Reportedly, Nicholas Meyer originally wanted Edward Fox as The Ripper; then he considered Mick Jagger as The Ripper but just couldn’t see him in the role. The studio wanted Sally Field for the role that went to Mary Steenburgen. This was the second Jack The Ripper film of 1979, the other was: Murder My Decree (1979) (see review in another entry).

Rated: [PG]
Out Of Print on Laserdisc Available on Blu–ray, DVD & Digital Copy through The Warner Archive Collection 

Jack’s Back (1988)

C – 97m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: A Knife To Kill, The Ripper, Red Rain
Writer – Dir.: Rowdy Herrington
Starring: James Spader, Cynthia Gibb, Jim Haynie, Robert Picardo, Rod Loomis and Chris Mulkey.

A serial killer in Los Angeles, California celebrates Jack The Ripper’s 100th birthday (anniversary) by committing similar murders and only one person has a chance at stopping him. This reviewer will resist the urge to make cutting remarks about this film. However the film does have a slow pace, iffy acting and a script that never builds suspense. It plays like a television movie, at best. Still, James Spader does his best with the lackluster material. As noted in the description of the film, the “birthday” of Jack The Ripper is actually the anniversary of his killings. This reviewer does not know many babies with surgical skills. 

Trivia: Director Harrington wanted the title to be: Red Rain, and to have Peter Gabriel’s song play over the opening credits. Due to budget restraints, he couldn’t get the rights to the song. So he had Paul Saax compose: “Red Harvest”. At the last minute the studio decided Red Rain had nothing to do with the film and changed the title to Jack’s Back.

Rated: [R]
Out Of Print on VHS & Laserdisc but Available on Blu–ray, DVD & Digital Copy

The Ripper (1997)

C – 96m
Aspect Ratio: 1.33:1 – Widescreen
A.K.A.: Ripper
Written By: Robert Rodat
Exec. Prod.: Mark Gordon
Dir.: Janet Meyers
Starring: Patrick Bergin, Gabrielle Anwar, Samuel West, Michael York, Essie Davis, Karen Davitt and Josephine Keen.

The tale of Jack The Ripper and the lives of the people around him. “…Someone’s sneakin’, ‘round the corner...” A typical Jack The Ripper tale is boosted by the approach of focusing on the royal family rather than the victims. While this is a 1990’s television movie, it has the quality of an indie film sleeper hit. There are some factual errors as with any Ripper film / show. This is more of a drama than a mystery but the suspense still builds making it a good thriller.

Trivia: Samuel West previously played Prince Albert Victor Edward as a young child in: Edward The King (1975), in which his father, Timothy West, played the title role.

Rated: [R] – Violence & Sexuality
Out Of Print on VHS and not available on YouTube or Digital Copy, though it occasionally runs on TV 

Ripper (2001)

C – 114m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Ripper: Letter From Hell
Story By: John A Curtis and Evan Tylor
Screenplay By: Pat Bermel and Neil Bermel
Exec. Prod. – Prod.: John A Curtis (as John Cutis)
Dir.: John Eyres
Starring: A.J. Cook, Bruce Payne, Ryan Northcott, Derek Hamilton, Daniella Evangelista, Emmanuelle Vaugier, Kelly Brook and Bruce Pinard.

A massacre survivor studies serial killers under a famous expert, but her classmates soon start dying at the hands of a Jack The Ripper copycat. Excesses of excesses hamper this otherwise okay gory chiller. Followed by a sequel: Ripper 2: Letter From Within (2004).

Rated: [R] – Violence / Gore, Sexuality & Language
Available on DVD & Digital Copy 

Ripper 2: Letter From Within (2004)

C – 85m (Uncut) 89m (DVD)
Aspect Ratio: 1.85:1 – Widescreen
Story By: Evan Tylor, Jonas Quastel, and John A. Curtis
Screenplay By: Jonas Quastel and John Sheppard
Additional Screenplay By: Pat Bermel and Neil Bermel
Exec. Prod.: John A. Curtis
Dir.: Jonas Quastel and Lloyd A. Simandl
Starring: Erin Karpluk and Richard Bremmer

When Ripper Murders start occurring to a haunted mental patient who survived the first film, time will tell who the killer is. A killer is on the loose in the nut house plot works rather well here. Better pacing than the first film and more of a coherent story make this superior to its predecessor. 

Rated: [R] – Strong Sexual Content, Violence & Language
Available on DVD & Digital Copy 

Ripper Street: The Complete Series (2012 – 2017)

C – 59m. Per Episode
Aspect Ratio: 16X9 / 1.78:1 – Widescreen
Dir.: Various. Writers: Various.

Starring: Matthew Macfadyen, Adam Rothenberg, MyAnna Buring, Jerome Flynn, David Wilmot, Charlene McKenna, David Dawson, Anna Burnett, Clive Russell and others.

The crimes of Jack The Ripper, and some of the other criminals, on the streets around the time of the Ripper killings, as they relate to Inspector Reid and company. Excellent telling of The Ripper tale bookending a series of crimes committed by thugs, rapists, murderers, and sometimes even the police force. Not one false note in this series. Although the episode count is low, the body count is high and the production is vivid. A must for Ripperphiles and fans of period piece films and shows! Be forewarned: This is NOT for the squeamish. Disclaimer: This reviewer is a self-taught Ripperphile and therefore holds some prejudice in favor of this show and others like it.     

Trivia: BBC 1 and BBC America decided to cancel the show in 2013 after two seasons. Amazon.com picked up the show and aired it on their streaming service and on BBC 1 and BBC America. That stint ran three additional seasons; totaling five seasons and 36 episodes. This show was filmed primarily in the U.K. and England.

Available on Blu–ray, DVD & Digital Copy.

Time After Time: The Complete Series (2017)

C – 552m
Writers: Various
Novelization: Time After Time by Karl Alexander
Dir.s: Various
Starring: Freddie Stroma and Josh Bowman.

H.G. Welles takes his time machine through time to chase Jack The Rippers and other notable Troubledoers. This abysmal attempt to bring the Nicholas Meyer cult classic to the small screen for the modern audience should be avoided at all cost. By that this reviewer means: don’t spend money to see it! The acting resembles Charlie McCarthy sans humor and the story is stretched beyond reason. What is left is 552 minutes of agony for anyone that has good will towards the 1979 cult classic film, from which this abomination is derived. Weirdly the television show: Sleepy Hollow (2013–2017), derived from the 1999 Tim Burton film, succeeds where this one failed, in this reviewer’s opinion. Others may think differently on these points of course. But in the interest of saving people time after time, don’t bother with this one!

Available on Digital Copy

The Lodger Films (1927–2009)

The Lodger (1926 / 1927)

B&W – 98m (Ontario, Canada) / 92m (Theatrical) / 90m (2012 Restoration & TCM Print) / 74m (National Film Archive Print) / 67m (VHS)
Aspect Ratio: 1.33:1 – Fullscreen
A.K.A.: The Lodger: A Story Of The London Fog
Novel: The Lodger by Marie Belloc Lowndes
Play: “The Lodger” by Marie Belloc Lowndes
Scenario By: Eliot Stannard
Uncredited: Sir Alfred Hitchcock
Prod.: Michael Balcon
Dir.: Sir Alfred Hitchcock
Starring: Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen, Ivor Novello, Reginald Gardiner, Eve Gray, Sir Alfred Hitchcock and Alma Reville.
Script Supervisor: Elma Reville

SILENT FILM

A landlady suspects her new lodger is the madman killing women in London. The first surviving Jack The Ripper film boasts of the talents of Alfred Hitchcock, his wife Alma Reville and actor Reginald Gardiner. As it is a silent film it helps to pay attention when watching the film and not try to multitask. The film is dated and stilted but worth watching for the fact that it was Hitchcock’s first suspense film and the first surviving Jack The Ripper film. 

Trivia: This was the first Sir Alfred Hitchcock film in which Hitchcock had cameo. For the opening of the film Hitchcock wanted the Avenger’s murder victim being dragged out of The Thames River with the Charing Cross Bridge in the background. His request to shoot the scene was turned down by Scotland Yard. After several more appeals to the Yard, Hitch got his answer when they agreed to look the other way if he could shoot it in one night. Hitch sent the cameraman and his actors to shoot the scene. After the film was developed they searched frantically for the scene. It was discovered that the cameraman forgot to load the lens on the camera before shooting the scene. The original story had hints of homosexuality and incest but Ivor Montagu changed that by removing title cards, bringing the number from 400 down to 80, at the behest of producer Michael Balcon.

The book is supposedly based on a story told to painter Walter Richard Sickert, writer Patricia Cornwell’s pick for who was Jack The Ripper, by a landlady who made the claim that her last lodger was Jack The Ripper. This was the film debut of Reginald Gardiner. Ivor Novello reprised his role in the first talkie remake of this film: The Phantom Fiend (1932).

Out Of Print on VHS but Available on Blu–ray, DVD & Digital Copy separate and as part of The Criterion Collection

The Phantom Fiend (1932)

B&W – 67m (Full Running Length – beware of shorter prints)
Aspect Ratio: 1.37:1 – Fullscreen
A.K.A.: The Lodger
Novel: The Lodger by Marie Belloc Lowndes (as Mrs. Belloc Lowndes)
Scenario By: Miles Mander and Paul Rotha
Adapted For The Screen By: H. Fowler Mear
Uncredited: Ivor Novello
Dir.: Maurice Elvey
Starring: Ivor Novello, Elizabeth Allan, A.W. Baskcomb and Jack Hawkins.

A landlady suspects her new lodger is the man killing women in London. Interesting but somewhat lesser version of the Sir Alfred Hitchcock classic. Hitch had the visual flair while this relies on the new addition of sound. Still it does build some suspense. Worth a look.

Trivia: This film is in public domain. Ivor Novello reprised his role from the classic Sir Alfred Hitchcock Film. Hitchcock was asked to direct but declined. 

Available on DVD, Digital Copy & on YouTube

The Lodger (1944)

B&W – 84m
Aspect Ratio: 1.37:1 – Fullscreen (Theatrical Ratio) / 1.34:1 – Fullscreen (Blu–ray Ratio)
A.K.A.: Jack The Ripper
From The Novel: The Lodger by Marie Belloc Lowndes
Screenplay By: Barre Lyndon
Dir.: John Brahm
Starring: Merle Oberon, George Sanders, Laird Cregar, Sir Cedric Hardwicke, Sara Allgood, Aubrey Mather, Queenie Leonard, Doris Lloyd, Billy Bevan, Edmund Breon, Ruth Clifford, Herbert Clifton, Cyril Delevanti, Frank Elliott, Herbert Evans, Kit Guard, Gerald Hamer, Lumsden Hare, Forrester Harvey, Stuart Holmes, Boyd Irwin, Colin Kenny, Skelton Knaggs, Anita Sharp–Bolster, C. Montague Shaw, Ethel Sherman, Will Stanton and Frederick Worlock. Cinematography By: Lucien Ballard

A landlady suspects her new lodger of being Jack The Ripper. Splendid remake of the Hitchcock classic and subsequent 1932 remake that also starred Ivor Novello. Cinematography is wonderful! Oberon is stunning and Cregar is menacing. The suspense builds wonderfully and this reviewer will admit to having nightmares based on the ending chase. A must watch!

Trivia: Merle Oberon fell in love with the cinematographer, Lucien Ballard, and they were married the following year. Because of a car accident Oberon was in she had facial scars. Ballard created a way of lighting her that would wash out the scars. This technique is still called: “The Obie”, not to be confused with the Off–Broadway award. Laird Cregar’s screen presence created such a stir 20th Century Fox planned to cast him in many more roles capitalizing on his role here. The first of which was Hangover Square (1945). Unfortunately Cregar suffered a fatal heart attack and Hangover Square was released posthumously. This was filmed in 1943 and released in 1944. This film was remade by 20th Century Fox as: Man In The Attic (1953), which was filmed on the same sets and reused footage of the London police chasing Jack The Ripper on the rooftops. The sequence of the killing at the beginning of the picture was ordered to be placed there by studio chief Darryl F. Zanuck.

Available on Blu–ray, DVD & Digital Copy

Man In The Attic (1953)

B&W – 82m
Aspect Ratio: 1.66:1 – Widescreen
Novel: The Lodger By Marie Belloc Lowndes
Screenplay By: Robert Presnell, Jr. and Barre Lyndon
Exec. Prod.: Leonard Goldstein
Prod.: Robert L. Jacks
Dir.: Hugo Fregonese
Starring: Jack Palance, Constance Smith, Byron Palmer, Frances Bavier, Rhys Williams, Sean McClory, Leslie Bradley, Lester Matthews, Harry Cording, Lisa Daniels, Lilian Bond, Isabel Jewell, Rama Bai, Chet Brandenburg, Morgan Brown, Noble ‘Kid’ Chissell, Franklyn Farnum, Stuart Holmes, Michael Jeffers, Colin Kenny, Sylvia Lewis, Mickey Martin, Monty O’Grady, Joe Phillips, Bob Reeves, Cosmo Sardo and Ben Wright.

After an enigmatic, self–described pathologist rents the attic room of a Victorian house, his landlady begins to suspect that her lodger is Jack The Ripper. A near miss of a film remake of The Lodger suffers from stuffy scripting and over–acting. Likely best to skip this one.

Trivia: This film is in “public domain”. This is 20th Century Fox’s second stab at The Lodger story. Film debut of Lisa Daniels.

Available on DVD & Digital Copy

The Lodger (2009)

C – 95m
Aspect Ratio: 16:9 – Widescreen
Novel: The Lodger by Marie Belloc Lowndes
Writer – Dir.: David Ondaatje
Starring: Alfred Molina, Hope Davis, Shane West, Donal Logue, Philip Baker Hall, Rachael Leigh Cook, Rebecca Pidgeon and Simon Baker.

A couple rents out a room to a mysterious young man, who may or may not be guilty of a series of grisly neighborhood murders. While there are historical inaccuracies in this version, as with any other version, the film is a smart updating of the classic novel. Be aware that this is a premise only remake. Obviously Jack The Ripper was seldom mentioned in 2009. Worth a look as a completion of The Lodger story.

Trivia: Annie Chapman was Jack The Ripper’s second victim, not his fourth victim. Liz Stride and Catherine Eddowes were killed on the same night but in different locations unlike what is stated here.

Rated: [R] – Violent Content, Language & Brief Nudity
Available on DVD & Digital Copy

Sherlock Holmes Vs. Jack The Ripper Films

A Study In Terror (1965 / 1966)

C – 95m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Sherlock Holmes Vs. Jack The Ripper, Fog
Characters By: Sir Arthur Conan Doyle
Loosely Adapted From The Novel: A Study In Terror by Ellery Queen (Daniel Nathan / Fredric Dannay and Emanuel Benjamin Lepofsky / Manfred Bennington Lee) 
Original Story By: Jim O’Connolly
Screenplay By: Donald Ford and Derek Ford
Dir.: James Hill
Starring: John Neville, Donald Houston, John Fraser, Anthony Quayle, Barbara Windsor, Adrienne Corri, Frank Finlay, Judi Dench, Cecil Parker, Georgia Brown, Barry Jones, Robert Morley, Peter Carsten, Christiane Maybach and Patrick Newell. 

Sherlock Holmes and Dr. John H. Watson join the hunt for the notorious serial killer, Jack The Ripper. Slick loose adaption of the Ellery Queen classic novel features an interesting take on The Ripper story. The novel it is loosely adapted from has the Holmes story framed by armchair detective / writer Ellery Queen reading the manuscript by Dr. John H. Watson. This film is simply the Holmes Vs. The Ripper story that Queen was, “reading”… For what it was at the time the film does a swift job of telling the story, though there are many loose ends not so well tied up. Still, it is of interest for Ripperphiles and should be screened with Murder By Decree (1979).   

Trivia: The close of the film, set a Baker Street eludes to The Adventure Of The Blue Carbuncle by Sir Arthur Conan Doyle. Frank Finlay also plays Inspector Lestrade in: Murder By Decree (1979). Anthony Quayle appears in both films as well. John Neville reprised his role as Sherlock Holmes on Broadway in the 1970’s. Robert Stephens was the first choice to play Sherlock Holmes here; he would go on to do so in 1970 and Thorley Walters was the first choice for Dr. Watson. Jim O’Connolly was at first attached to direct the film. Mary Anne Nichols, The Ripper’s first victim, bought a hat that she was proud of the night she was murdered. This bit of info was given to his third victim in this film: “Long Liz” – Elizabeth Stride. The final victim, Mary Jane Kelly’s one room flat was historically located on the first floor.

Out Of Print on VHS but Available on Blu–ray, DVD & Digital Copy

Murder By Decree (1979)

C – 124m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Sherlock Holmes: Murder By Decree, Sherlock Holmes And Saucy Jack
Characters By: Sir Arthur Conan Doyle
Book: The Ripper File by Elwyn Jones, Stephen Knight and John Lloyd
Screenplay By: John Hopkins
Novelization By: Robert Weverka
Prod. – Dir.: Bob Clark
Starring: Christopher Plummer, James Mason, David Hemmings, Susan Clark, Anthony Quayle, John Gielgud, Frank Finlay, Donald Sutherland, Genevieve Bujold, June Brown, Hilary Sesta, Anthony May, Ann Mitchell and Iris Fry.

Sherlock Holmes investigates the murders committed by Jack The Ripper and discovers a conspiracy to protect the killer. Sherlock Holmes Vs. Jack The Ripper once again – basic but fun. The ending feels a tad rushed but the film is entertaining. For a shoe–string budget film, this is quite impressive. Worth a look and should be on a double bill with A Study In Terror (1965). 

Trivia: Alien (1979) was filming concurrently with this film, Murder By Decree (1979). Peter O’Toole was originally cast as Sherlock Holmes with Sir Laurence Olivier as Dr. Watson. Director Bob Clark had to research to see if the word, “fart,” existed in 1888, it was. According to Bob Clark the film’s budget was less than $4 million. Christopher Plumber, who plays Sherlock Holmes here, was a cousin of Nigel Bruce, who played Dr. Watson to Basil Rathbone’s Sherlock Holmes from 1939 – 1946. Plummer previously played Holmes in the tele-movie: The Sunday Drama: The Silver Blaze (1977). Frank Finlay also played Inspector Lestrade in A Study In Terror (1965). Anthony Quayle also was in that film. This was the first Ripper film released in 1979. The other was: Time After Time (1979).

Rated: [PG]
Out Of Print on VHS but Available on DVD & Digital Copy 

From Hell (2001)

C – 122m
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Jack
Graphic Novel By: Alan Moore and Eddie Campbell
Screenplay By: Terry Hayes and Rafael Yglesias
Exec. Prod.s – Dir.s: Albert Hughes and Allen Hughes
Starring: Johnny Depp, Heather Graham, Sir Ian Holm, Robbie Coltrane, Sir Ian Richardson, Jason Flemyng, Katrin Cartlidge, Terence Howard, Susan Lynch, Lesley Sharp, Annabelle Apsion, Joanna Page, Mark Dexter, Sophia Myles, Donald Douglas, John Owens, Ian McNeice, Vincent Franklin, Anthony Parker, James Greene, Dominic Cooper and Carey Thring.

In Victorian Era London, a troubled clairvoyant police detective investigates the murders of Jack The Ripper. Other critics and film historians panned this film thoroughly. This reviewer on the other hand loves this film. The period detail is fairly good, the CGI and makeup are great and the story is basically Sherlock Holmes, as a clairvoyant, chasing Jack The Ripper, as previously depicted in A Study In Terror (1965/1966) and Murder By Decree (1979). The cast plays this to the hilt and it has some wonderful visuals – the red London skyline and the drugged visions of the streets including The Elephant Man – Joseph Carey Merrick ( incorrectly called: “John Merrick”). There is also great attention paid to the details of The Ripper’s crimes. A must!  

Trivia: Heather Graham almost went into softcore pornography until she got her role in Austin Powers: The Spy Who Shagged Me (1999), then, subsequently made this film where she plays a prostitute. Real photos of The Ripper’s victims were pinned to the walls of the police station set. The directors did this to unnerve the actors in order to get better performances out of them. Commissioner of Police Sir Charles Warren never really visited the site of the fifth ripper victim as he was relieved of his duties, forced resignation, prior to the final victim’s murder. Daniel Day–Lewis, Sir Sean Connery, Jude Law and Brad Pitt were all either, considered, wanted or interviewed for the role that went to Johnny Depp. Sir Nigel Hawthorne was set to play Sir William Gull, played here by Sir Ian Holm, but had to drop out due to being terminally ill with cancer. As noted Sir Ian Holm replaced him. Sir Nigel Hawthorne died in 2001. Around the time of this film William Friedkin was trying to set up The Diary Of Jack The Ripper as a film with Sir Anthony Hopkins. This was the film debut of Dominic Cooper and the final film of Katrin Cartlidge who died from food poisoning at the age of 41 on September 7, 2002.  

Rated: [R] – Strong Violence / Gore, Sexuality, Language & Dug Content
Available on Blu–ray, DVD & Digital Copy

Hannibal Lecter Films & Shows (1986 – 2015)

Author Thomas Harris wrote four books in the Hannibal Lecter series. The books, in order of the story are: Hannibal Rising, Red Dragon, The Silence Of The Lambs and Hannibal. They were turned into films and a television show between 1986 and 2015. Below are the reviews for the filmed versions in the order that they were made. The star rating on each also expresses the review of the books in this reviewer’s opinion.

Manhunter (1986)

C – 120m (Theatrical Cut) / 124m (Director’s Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Red Dragon: The Pursuit Of Hannibal Lecter, Red Dragon: The Curse Of Hannibal Lecter, Red Dragon, Blutmond, Hunter
Novel: Red Dragon by Thomas Harris
Screenplay By: Michael Mann
Dir.: Michael Mann
Starring: William Peterson, Kim Greist, Joan Allen, Brian Cox, Dennis Farina, Tom Noonan, Stephen Lang, Benjamin Hendrickson, Michael Talbott, Dan Butler, Frankie Faison, Joanne Camp, David Allen Brooks and Chris Elliott.

Former FBI profiler Will Graham returns to service to pursue a dangerous serial murderer nicknamed, “The Tooth Fairy,” by the media. Well done early Lecter (Lecktor here) film doesn’t hold a candle to the subsequent films but holds it’s own nicely. Cox and Peterson are tops. The preferred cut of the film is the Director’s Cut.

Trivia: While this movie was being filmed, Anthony Hopkins (who would go on to play Hannibal Lecter from 1991 – 2002 in three theatrical outings, including this film’s remake) was playing in King Lear at the National Theatre. In turn, when The Silence Of The Lambs (1991) was filming, Brian Cox, who plays Hannibal Lecter here, was playing in King Lear at the National Theatre. Brian Cox said that he based his portrayal of Hannibal was based on Scottish serial killer: Peter Manuel. This is the only Hannibal movie where his last name is spelled: Lecktor. Frankie Faison is the only actor to appear in four out of the five Hannibal films. Anthony Hopkins is next record holder being in three of them.

Nominated for a 1987 Edgar Allan Poe Award for: Best Picture – Michael Mann. Followed by the films: The Silence Of The Lambs (1991), Hannibal (2001) and the prequel: Hannibal Rising (2007). This was remade as: Red Dragon (2002), the book’s actual title, by Brett Ratner, and starring: Anthony Hopkins, Edward Norton, Harvey Keitel, Ralph Fiennes and others. This was also remade as the television show: Hannibal (2013 – 2015).

Rated: [R]
Out Of Print on VHS, Laserdisc and DVD but Available on Blu–ray and Digital Copy in both Theatrical Cut and Director’s Cut

The Silence Of The Lambs (1991)

C – 118m (Current Cut) / 138m (Original Cut)
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Silence Of The Lambs
Novel: The Silence Of The Lambs by Thomas Harris
Screenplay By: Ted Tally
Dir.: Jonathan Demme
Starring: Jodie Foster, Scott Glenn, Anthony Heald, Frankie Faison, Sir Anthony Hopkins, Ted Levine, Tracey Walter, Dan Butler, Diane Baker, Roger Corman, Charles Napier, Brent Hinkley, Chris Isaak, George A Romero, Edward Saxon and Mike Schaeffer.
Music By: Howard Shore

A young F.B.I. cadet seeks the help of a convicted, incarcerated, manipulating cannibal killer in order to catch another serial killer known as, “Buffalo Bill,” who skins his victims. This film is a tour de force for all involved. A perfect thriller that genuinely gives someone watching the film the creeps for one reason or another. All who got awards or were nominated for awards, richly deserved them.

Trivia: Jodie Foster has said that in the scene where Hannibal meets Starling and he mocks her Southern accent, it was not planned. Anthony Hopkins mocked her and her reaction was genuine indignation and hurt. She is said to have later thanked him for eliciting such an honest response from her. Sir Anthony Hopkins was confused when he learned that he got the role of Hannibal from his portrayal of Dr. Fredrick Treves in The Elephant Man (1981). He questioned Jonathan Demme about it by saying, “But Dr. Treves was a good man.” Demme replied, “So is Lecter, he is a good man too. Just trapped in an insane mind.” Sir Anthony Hopkins only had 24 minutes and 52 seconds of screen–time, making him the second shortest performance time to win Best Actor. The shortest is still held by David Niven in Separate Tables (1958), with 23 minutes and 39 seconds of screen–time.

After Lecter is moved from Baltimore the idea was to put him in an orange or yellow jumpsuit. Sir Anthony Hopkins convinced Director Jonathan Demme and Costume Designer Colleen Atwood that he would be more sinister looking in white. It has since been reported that Sir Anthony Hopkins said that he attributed his idea to his fear of dentist. Sir Anthony Hopkins explained his voice as Hannibal as being a cross between Truman Capote and Katharine Hepburn. Jame Gumb’s dance was not in the script but was in the novel. The dance was added at the behest of an insistent Ted Levine, who said that the dance was: “essential in the definition of the character.” The first moth cocoon found in a victim’s throat was made from a combination of Tootsie Rolls and Gummy Bears so that it would be edible in the event it was accidentally swallowed. And finally: Jodie Foster tried to buy the film rights to this book but Gene Hackman beat her to it. He planned to direct the film and star as either Jack Crawford or Hannibal Lecter, however he withdrew from the idea when he saw a clip of himself in Mississippi Burning (1988) at the Oscars® and felt too afraid to make more violent films.

Oscar® winner for: Best Picture, Best Actor – Sir Anthony Hopkins, Best Actress – Jodie Foster, Best Director – Jonathan Demme and Best Adapted Screenplay – Ted Tally. It was additionally Oscar® nominated for: Best Sound and Best Editing. It was also a Golden Globe winner for Best Actress – Motion Picture – Drama – Jodie Foster. It was additionally nominated for Golden Globes for: Best Motion Picture – Drama, Best Director – Motion Picture – Jonathan Demme, Best Actor – Motion Picture – Drama – Sir Anthony Hopkins, and Best Screenplay – Motion Picture – Ted Tally.

Rated: [R]
Out Of Print on VHS and Laserdisc but Available on Blu–ray, DVD & Digital Copy as part of The Criterion Collection and separately

Hannibal (2001)

C – 131m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: The Silence Of The Lambs II, The Silence Of The Lambs 2
Novel: Hannibal by Thomas Harris
Screenplay By: David Mamet and Steven Zaillian
Pro. – Dir.: Ridley Scott
Starring: Sir Anthony Hopkins, Julianne Moore, Gary Oldman, Ray Liotta, Frankie Faison, Giancarlo Giannini, Francesca Neri, Zeljko Ivanek, David Andrews and Francis Guinan.
Music By: Hans Zimmer

Living in exile, Hannibal Lecter tries to reconnect with Agent Starling and finds himself the target of revenge from a powerful victim. Frankly a lesser entry in the series isn’t without its own gruesome interesting points. Sadly most of those are towards the rear of the film and the viewer must float through a dream state first two acts to get to the final two gory ones. Still, it is worth a watch.

Trivia: When Thomas Harris finished the Hannibal novel, he sent copies to Jonathan Demme, Jodie Foster and Sir Anthony Hopkins. The screenplay for the film was rewritten numerous times due to issues with character elements that Demme and Foster had. As it turned out, neither Demme, nor Foster stuck with the production. Only Sir Anthony Hopkins and Frankie Faison returned. At one point David Fincher was slated to direct the film but dropped out. Sir Anthony Hopkins reportedly wrote a script for a sequel to this film. It was never utilized. Though Sir Anthony Hopkins had no official say in who would play Starling, Director Ridley Scott consulted him on the matter after Jodie Foster declined to reprise her role as Starling. Sir Anthony suggested Julianne Moore whom he had previously worked with on: Surviving Picasso (1996).  The part of Mason Verger was offered to Christopher Reeve first, and he displayed some interest, though having not read the novel. When he found out Verger was a quadriplegic, facially disfigured and a child rapist to boot, he declined the role. Gary Oldman based his Verger voice on Katharine Hepburn.

Rated: [R] – Strong Gruesome Violence, Some Nudity & Language
Available on Blu–ray, DVD & Digital Copy 

Red Dragon (2002)

C – 124m
Aspect Ratio: 2.35:1 – Widescreen
Novel: Red Dragon by Thomas Harris
Screenplay By: Ted Tally
Producers: Dino De Laurentiis and Martha De Laurentiis
Uncredited Associate Producer: Terry Needham
Dir.: Brett Ratner
Starring: Anthony Hopkins, Edward Norton, Ralph Fiennes, Harvey Keitel, Emily Watson, Mary–Louise Parker, Philip Seymour Hoffman, Anthony Heald, Ken Leung, Frankie Faison, Madison Mason, Bill Duke and Frank Langella.
Music By: Danny Elfman

A retired F.B.I. Agent with special psychological gifts, is assigned to help track down the mysterious killer, “The Tooth Fairy,” with the help of his old nemesis: Hannibal “The Cannibal” Lecter. This remake of Manhunter (1986), under the novel’s original title, offers a more grisly telling of the story but does so with style. Everyone connected to this film is welcome when they turn out work like this and by that this reviewer means they are in top form here. This was Sir Anthony Hopkins’s swan song as Hannibal Lecter, though he made other films where he played basically the same character sans the cannibalism. 

Trivia: Director Brett Ratner reportedly asked Sir Anthony Hopkins to get a facelift and Sir Anthony refused. Sir Anthony Hopkins showed up on set on one of his days off just to watch Philip Seymour Hoffman work, as they shared no scenes together. Philip Seymour Hoffman insisted on being glued to the chair during his encounter with Ralph Fiennes’ character. Ralph Fiennes gained fifteen pounds of muscle for the role of Francis Dolarhyde. Sir Anthony Hopkins stated that his final outing as Hannibal was to remind audiences that Hannibal is a serial killer. He stated that he didn’t like the fact that Hannibal became a fun anti-hero in the public’s minds.

Rated: [R] – Violence, Grisly Images, Language, Some Nudity & Sexuality
Available on Blu–ray, DVD & Digital Copy

Hannibal Rising (2007)

C – 121m (Theatrical Cut) / 131m (Unrated Cut)

Aspect Ratio: 2.35:1 – Widescreen

A.K.A.: The Lecter Variation: The Story Of Young Hannibal Lecter, Young Hannibal: Behind The Mask, The Lector Variations, Young Hannibal, Hannibal 4
Novel: Hannibal Rising by Thomas Harris
Screenplay By: Thomas Harris
Producers: Dino De Laurentiis and Martha De Laurentiis
Dir.: Peter Webber
Starring: Gaspard Ulliel, Li Gong and Rhys Ifans

Hannibal grows up after escaping the Nazis and cannibalism during World War II and plans revenge on the cannibals responsible for his sister’s murder years before. Lured and frankly unnecessary prequel to the successful Hannibal series is also slow moving. One scene of revenge is welcome when Hannibal goes after the crude guy in the market. Otherwise, skip it.

Trivia: The only Hannibal outing to be scripted by the book series’ author, Thomas Harris.

Rated: [R] – Strong Grisly Violent Content and some Language / Sexual References
Available on DVD & Digital Copy

Hannibal: The Complete Series (2013–2015)

C – 44m Each, 39 Episodes
Aspect Ratio: 1.78:1 – Widescreen
Inspired By The Novel: Red Dragon by Thomas Harris
Creator: Bryan Fuller
Starring: Hugh Dancy, Mads Mikkelsen, Laurence Fishburne and Eddie Izzard.

Will Graham is a teacher who is recruited because of his psychological gifts to help the F.B.I. track down killers, along the way he meets Hannibal Lecter and trouble ensues in the long run. The short lived series is slow moving for the most part, which may be a hindrance for some, but the visual touches are amazing. Worth a look.

Available on Blu–ray, DVD & Digital Copy

Jack The Ripper: (1958/1959, 1976 & 1988)

Jack The Ripper (1958/1959)

B&W / C. – 84m.
Aspect Ratio: 1.66:1 – Widescreen.
Starring: Lee Patterson, Eddie Byrne, Betty McDowall, Ewen Solon and John Le Mesurier.

Jack The Ripper murders five prostitutes and is chased by Scotland Yard. For those who don’t know Jack The Ripper was a real-life serial killer in London, England in the year 1888. His crimes spanned from August to November of that year. This film calls the prostitutes, “Concert Hall Singers & Dancers,” due to the censorship of the day in which it was made. It also leaves off the Anti-Semitic aspect of the case. While this is far from a perfect Ripper film (changing the names of the prostitutes and the order in which they are killed, etc.), it does have atmosphere, a key element of telling the story of Jack The Ripper. The final scene has a shot in color. The film in European release as a different score than the USA release. The composers of the US score teamed with entertainer Steve Allen, who wrote a novelty song titled: “Jack The Ripper” for sale as a single 45 RPM record. Nino Temp performed the song for RCA Records. The Blu–ray had two releases. A limited edition was the first one: it came with three cuts of the film; two on Blu–ray and one on DVD and a collector’s slipcover. The second release was a standard Blu–ray with two cuts of the film; no slipcover and no third cut on DVD. No pun is intended in using the word, “cuts,” for this movie.

Available on Blu–ray, DVD & Digital Copy.  

Jack The Ripper (1976)

C – 92m (Full Cut) / 87m (US Cut) / 82m (Heavily Edited Cut)
Aspect Ratio: 1.75:1 – Widescreen
Starring: Klaus Kinski and Josephine Chaplin

A serial killer who’s mother was a prostitute pays his mother back for his abuse towards him by killing prostitutes. A sick and twisted version of the tale of Jack The Ripper tries to make the viewer feel a sense of empathy for the killer. All it succeeded in doing is repulsing this reviewer. 

Rated: [R]
Available on DVD & Digital Copy

 

 

 

 

Jack The Ripper (1988)

C. – 182m. (Broadcast) / 188m. (DVD – USA)
Aspect Ratio: 1.33:1 – Fullscreen (Broadcast) / 1.78:1 – Widescreen (Intended / DVD)
Starring: Sir Michael Caine, Armand Assante, Ray McAnally, Lewis Collins, Susan George, Jane Seymour and Harry Andrews.

An angry, alcoholic Scotland Yard Inspector hunts Jack The Ripper and the trail leads all the way up to the Queen of England. A made for TV version of the Jack The Ripper story benefits from period details and fine performances. Though one could argue that Sir Michael Caine’s performance is one-noted as his character is mad all the time, but let us not split hairs. This reviewer’s opinion is that the identity of the killer should have been left a mystery. Had that been the case, the star rating would have been higher for this reviewer. However it is well enough as is. 

Incidentally it is reported that four different endings were shot for this film in order to throw off the actors, crew and press about who the real murderer was in the film. This is also the 2nd Victorian England film that Sir Michael Caine made in 1988. The other was the theatrical film: Without A Clue (1988), with Sir Ben Kingsley. Viewers will notice that the extended cut is on DVD.

Available on DVD through The Warner Archive Collection & Digital Copy.

Dr. Jekyll & Mr. Hyde Films

Dr. Jekyll And Mr. Hyde (1920)

B&W – 79m (Running times vary, beware of shorter prints)
Aspect Ratio: 1.33:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: John Barrymore, Martha Mansfield and Brandon Hurst.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. Hyde is horrifying to look at and is very well played by Barrymore. A good early, and surviving, rendering of the classic Robert Louis Stevenson tale. On a trivia note it has been reported that Tallulah Bankhead was originally offered the role of Millicent before it finally went to Martha Mansfield.

Available on Blu–ray, DVD & Digital Copy

Dr. Jekyll And Mr. Hyde (1931)

B&W – 98m
Aspect Ratio: 1.20:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: Fredric March, Miriam Hopkins, Rose Hobart and Holmes Herbert.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. March won an Oscar® for Best Actor for his performance (the first time a horror film won an Oscar® by the way). The film was additionally nominated for Best Writing, Adaption and Best Cinematography. Aside from the aforementioned areas the film offers nothing new but is masterfully done for its time The makeup may be a tad overdone for some.

Available on DVD & Digital Copy

Dr. Jekyll And Mr. Hyde (1941)

B&W – 113m
Aspect Ratio: 1.37:1 – Fullscreen
Novel By: Robert Louis Stevenson
Dir.: Victor Fleming
Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, Ian Hunter, Barton MacLane, C. Aubrey Smith, Peter Godfrey, Francis Robinson, Denis Green, Billy Bevan, Forrester Harvey, Ted Billings, Hillary Brooke, Douglas Gordon, Stuart Hall, Brandon Hurst, Colin Kenny, Doris Lloyd, Aubrey Mather, Milton Parsons, Gil Perkins, John Power, Clara Reid, Patsy Shaw and Martha Wentworth.

Dr. Henry Jekyll experiments on himself, and becomes into the monstrous Mr. Hyde. Very little makeup was used on Tracy in this wonderful film version of the classic Robert Louis Stevenson novel. Beautiful cinematography, lighting and acting all around, masterfully handled by director Victor Fleming. A horror film MUST!

Available on DVD & Digital Copy

The Two Faces Of Dr. Jekyll (1960)

C – 88m
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Dr. Jekyll And Mr. Hyde, Schlag 12 In London, House Of Fright, Jekyll’s Inferno
Screenplay By: Wolf Mankowitz
Starring: Paul Massie, Dawn Addams, Sir Christopher Lee, Oliver Reed and Joe Robinson.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. Well–mounted Hammer House production of the classic Stevenson novel boasts of fine performances and some good chills. The usual Hammer twist of sex and violence is added here of course, but that is part of the fun!

Available on Blu–ray & DVD

Dr. Jekyll And Mr. Hyde (1973)

C – 78m.
Aspect Ratio: 1.33:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: Kirk Douglas, Susan George, Susan Hampshire, Stanley Holloway, Donald Pleasence and Michael Redgrave.

Dr. Henry Jekyll experiments on himself, and becomes into the monstrous Mr. Hyde. A handsomely mounted musical production of the Stevenson tale takes full advantage of the talents of the cast and it pays off. While the pacing is a bit stilted the musical numbers are fun and the cast is more than game. Period detail helps too.

Out Of Print on VHS but Available on YouTube with commentary.

The Circle (2017)

The Circle (2017)

C – 110m
Aspect Ratio: 2.40:1 – Widescreen
A.K.A.: Melinda’s Song, Ring
Based On The Novel: The Circle by Dave Eggers
Screenplay By: James Ponsoldt and Dave Eggers
Dir.: James Ponsoldt
Starring: Emma Watson, Bill Paxton, Glenne Headley Tom Hanks and Patton Oswalt.
Music By: Danny Elfman

A young woman lands a dream job at a tech company called: The Circle only to uncover a major secret that threatens to change the lives of everyone. Mildly eerie parable of, “Over Sharing,” on social media has a powerful–performance by Bill Paxton. While the film does build tension, there is no real threat to Watson’s character and the film just kind of ends. If you can get past these issues the rest of the film is enjoyable, as previously stated: a parable. Hanks and Watson are always welcome of course. 

Trivia: Bill Paxton died before this film’s release. This is his final film. The film is dedicated to him in the end credits, reading: “For Bill.” Glenne Headley, who plays Paxton’s wife in the film, also died in 2017 – after the film’s release. In the UK this film went straight to Netflix. And Finally: Massive reshoots were done 4 months before the film’s release in order to make Emma Watson’s character, “more appealing.” 

Rated: [PG–13] – Sexual Situation, Brief Strong Language & Some Thematic Elements
Available on Blu–ray, DVD & Digital Copy

The Post (2017 / 2018)

The Post (2017/2018)

C – 116m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Untitled Steven Spielberg Pentagon Papers, The Pentagon Papers, The Papers, ‘Nor’Easter
Pro. – Dir.: Steven Spielberg
Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys, Alison Brie, Michael Devine, Walter Cronkite, Lyndon Johnson and John F. Kennedy.
Music By: John Williams

A cover–up spanning four presidents drive the first female paper publisher and her editor to fight the war between the government and the press. This reviewer must say up front that this film has the same issue as Steven Spielberg’s Bridge Of Spies (2015) in that the first half hour or so of dialogue is useless to the story. Unlike Spies, this one recovers nicely and delivers the goods over–all. Performances are good and the script, pertaining to the main story – sans the first half hour or so deviation, is well plotted. This film was nominated for six Golden Globe Awards: Best Motion Picture Drama, Best Director – Motion Picture – Steven Spielberg, Best Screenplay – Motion Picture, Best Original Score – John Williams and Best Actress – Motion Picture – Drama – Meryl Streep. It also won the AFI Award for Best Film Of The Year. One trivia note: Meryl Streep adlibbed the line, “Glad I never have to go through this again.”

Rated: [PG–13] – Language & Brief War Violence
Available on 4K Blu–ray, Blu–ray, DVD & Digital Copy