Deadpool Series (2016–Present)

Deadpool Series (2016–Present)

Deadpool was a comic book superhero created by Rob Liefeld for Marvel Comics. Liefeld has said that he got the name from the final Clint Eastwood Dirty Harry film: The Dead Pool (1988). A film was a long sought–to–be–made project by actor Ryan Reynolds and it was in 2015, with a 2016 release. Deadpool, as portrayed in the 2016 film, is a crass and sarcastic superhero born out of revenge from a experiment done on a hitman who was terminally ill. The film was a roaring success at the box office and set off a chain of R rated superhero films, some being better than others in this reviewer’s opinion. A sequel followed the 2016 Deadpool film in 2018. Below are the reviews for the hit series.   

Deadpool (2016)

C – 108m
Aspect Ratio: 2.39:1 – Widescreen
A.K.A.: X–Men Origins: Deadpool, X–Men: Deadpool
Characters By: Geoff Johns, Rob Liefeld, Len Wein, Dave Cockrum, Fabian Nicieza, Grant Morrison, Joe Kelly, Ed McGuinness, Frank Quitely, Joe Madureia and Shawn Martinborough.
Screenplay By: Rhett Reese and Paul Wenick
Exec. Prod.s: John J. Kelly, Stan Lee and Rhett Reese
Prod.: Ryan Reynolds
Dir.: Tim Miller
Starring: Ryan Reynolds, Karan Soni, Ed Skrein, Michael Benyaer, Stefan Kapicic and Stan Lee.

A fast–talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge. Delightfully morbid and sarcastic superhero film? Yes please! Ryan Reynolds finally hit his stride with this one and it paid off! The first R rated superhero film of the 20 – teens started a small rash of them. This is by far the best of the bunch. No complaints here! 

Trivia: Ryan Reynolds full body makeup took 8 hours to apply. Once it was on, he was not able to sit or lie down. Ryan Reynolds took his Deadpool costume without asking anyone. When 20th Century Fox found out, they just didn’t care and let him keep it. Ryan Reynolds says that Deadpool would be his last comic book superhero he’d play. This obviously left the door open for sequels or cameo appearances. While filming, Ryan Reynolds would visit sick kids in his Deadpool costume via the Make A Wish Foundation. It has been said by Ryan Reynolds that there are over 100 references throughout the film. This film was shot in 48 days.

Deadpool creator Rob Liefeld said he stole the name from the title of the final Dirty Harry film: The Dead Pool (1988). This was Tim Miller’s feature directorial debut. And finally: An example of this would be when Deadpool saws off his hand and sprays blood in Colossus’ face he says, “Are you there God? It’s me, Margaret.” This was the title of a Judy Blume coming of age novel where the teen girl gets her first experience with, “that delightful time of the month” (her first period).

Golden Globe nominated for: Best Picture – Musical Or Comedy and Best Actor In A Motion Picture – Musical Or Comedy – Ryan Reynolds.

Followed by: Deadpool 2 (2018).

Rated: [R] – Strong Violence And Language Throughout, Sexual Content & Graphic Nudity
Available on Blu–ray, DVD & Digital Copy

Deadpool 2 (2018)

C – 119m
Aspect Ratio: 2.39:1 – Widescreen
A.K.A.: Love Machine, Daisy, DP2
Screenplay By: Rhett Reese, Paul Wernick and Ryan Reynolds
Exec. Prod.: Stan Lee
Dir.: David Leitch
Starring: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Karan Soni, Eddie Marsan, Rob Delaney, Bill Skarsgard, Terry Crews, Brad Pitt, Matt Damon, James McAvoy (uncredited), Evan Peters (uncredited) and Tye Sheridan (uncredited).

Foul–mouthed mutant mercenary Wade Wilson (A.K.A. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time–traveling cyborg, Cable. Uproariously funny sequel to the 2016 hit film. This film was not received well by critics, except this one, but audiences liked it well enough. Ryan Reynolds and the gang are in fine form here and the jokes fly fast and furious. The story isn’t as good as the last one but there is enough of one to keep the film afloat and allow viewers their laughs at the jokes. To be fair there are some corny jokes here, that weren’t present in the first one, but they too are passible. Yes there is quite a bit of witty remarks too. If you liked the first film, you’ll likely like this film. If you didn’t like the first film, this isn’t for you. See it!

Trivia: On August 16, 2017, a stuntwoman named Joi Harris died while filming a stunt on a motorcycle. Production was stopped for two days. In one scene Deadpool refers to Cable saying, “Bring on One Eyed Willy,” which was the name of the pirate in: The Goonies (1985). The sequel was announced three days before the release of: Deadpool (2016). Brad Pitt met with director David Leitch to discuss playing Cable but he couldn’t commit due to scheduling conflicts. Dolph Lundgren, Mel Gibson, Kurt Russell, Bruce Willis, Alec Baldwin, Sylvester Stallone, Arold Schwarzenegger, Stephen Lang, Ron Perlman, Peirce Brosnan and David Harbour were all considered to play Cable. Russell Crowe was Deadpool co–creator Rob Liefeld’s choice for Cable. Michael Shannon was reportedly considered for the role of Cable, but dropped out due to scheduling conflicts.  

Rated: [R] – Strong Violence & Language Throughout, Sexual References & Brief Drug Material
Available on 4K & Regular Blu–ray, DVD & Digital Copy

Jurassic Park Series (1993–Present)

Jurassic Park Series (1993–Present) 

Jurassic Park (1993)

C – 127m
Aspect Ratio: 1.85:1 – Widescreen – 3D & 2D
A.K.A.: Jurassic Park 3D, JP
Novel: Jurassic Park by Michael Crichton
Screenplay By: Michael Crichton and David Koepp
Dir.: Sir Steven Spielberg
Starring: Sam Neill, Laura Dern, Jeff Goldblum, Sir Richard Attenborough, Bob Peck, Martin Ferrero, Joseph Mazzello, Ariana Richards, Samuel L. Jackson, Wayne Knight, Richard Kiley (voice only).
Music By: John Williams

During a preview tour, a theme park suffers a major power breakdown that allows its cloned dinosaur exhibits to run amok. This is the film that started the hit franchise and is by far Steven Spielberg’s best film, though most of his other films are still impressive. The dinosaurs were a milestone in CGI and animatronics at the time, and even decades later, are still impressive and it is easy to see why. The sound (editing and at the time new technology) really makes it though. Dig that score by John Williams too! The editing of the film is tight, the film’s pacing is great, the visuals are wondrous, the acting is spot on and the script scores a bulls–eye. Not recommended for small children though. The preferred way to see this film is the 3D rendering it received a couple of decades later. Don’t miss this one!  

Trivia: The novel and this film generated so much interest in dinosaurs, that the study of paleontology had a record increase in students. The T–Rex occasionally malfunctioned, due to the rain. The Tyrannosaurus Rex’s roars were a combination of dog, penguin, tiger, alligator and elephant sounds. Steven Spielberg wanted the Velociraptors to be about ten feet tall, which was about the full height that they were known to be. During filming paleontologists uncovered a 10–foot–tall specimens of Raptors called Utahraptors. The glass of water sitting on the dashboard of the Ford Explorer was made to ripple by a guitar string that was attached to the underside of the dashboard beneath the glass. At the appropriate time the string would be plucked and the ripples would appear in the glass. When Hurricane Iniki hit, the cast and crew were all required to move to the ballroom of the hotel in which they were staying. Sir Richard Attenborough, however, stayed in his room and slept through the entire event. When asked how he could have done it, he replied, “My dear boy, I survived the blitz!” Incidentally, this was Sir Richard Attenborough’s first acting credit since: The Human Factor (1979). 

Steven Spielberg oversaw the post–production (editing, CGI, etc.) of this film via video link while in Poland filming: Schindler’s List (1993). John Williams did the music score for this film at the end of February 1993 and recorded it a month later. Harrison Ford was offered and turned down the role of Dr. Alan Grant. Director James Cameron said he wanted to make this film but that the film rights of the book were bought a few hours before he could bid. He admitted that Sir Steven Spielberg was the better choice to direct it since he, James Cameron, would have made it much more violent. He further said that he wanted to make the movie with Arnold Schwarzenegger as Grant, Bill Paxton as Malcolm and Charlton Heston as Hammond. Sam Neill injured his hand lighting the flare used to distract the T–Rex. According to him the Phosphorous from the flare dropped on him, got under his watch, and took a chunk out of his arm.

In the 3D version, Steven Spielberg said that adding leaves to the Jeep chase took the excitement from a seven to a nine. Sir Sean Connery was offered the role of John Hammond but turned it down. Jim Carrey was considered for the role of Ian Malcolm. This film wrapped 12 days ahead of schedule. The film was edited for weeks to make it look good without dinosaurs; then the dinosaurs were added. The tagline for this film: “An adventure 65 million years in the making,” was derived from a joke Sir Steven Spielberg made about the thousands of years the mosquito was trapped in the amber before being discovered. This was the first film to use DTS Digital Surround Sound.      

Oscar® winner for: Best Sound, Best Effects – Sound Effects Editing, and Best Effects – Visual Effects.

Followed by: The Lost World Jurassic Park (1997), Jurassic Park III (2001), Jurassic World (2015), and Jurassic World: Fallen Kingdom (2018).

Rated: [PG–13] – Intense Science Fiction Terror
Out Of Print on VHS & Laserdisc but Available on 4K / 3D & Regular Blu–ray, DVD & Digital Copy

The Lost World: Jurassic Park (1997)

C – 129m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Jurassic Park II: The Lost World, The Lost World: Jurassic Park II, Jurassic Park 2: The Lost World, The Lost World: Jurassic Park 2, Jurassic Park: The Lost World, The Lost World, Jurassic Park II, Jurassic Park 2
Novel: The Lost World by Michael Crichton
Screenplay by: David Koepp
Exec. Prod.: Kathleen Kennedy
Dir.: Sir Steven Spielberg
Starring: Jeff Goldblum, Julianne Moore, Arliss Howard, Sir Richard Attenborough, Vince Vaughn, Richard Schiff, Ariana Richards, Ian Abercrombie, David Sawyer, Eli Roth (uncredited) Theodore Carl Soderberg (uncredited) and Sir Steven Spielberg (uncredited).
Music By: John Williams

A research team is sent to the Jurassic Park Site B Island to study the dinosaurs there while another team approaches with another agenda. This was a major drop in quality from the first film. The CGI and acting are fine but the script is slip–shot and the pacing is a tad too slow. As bad this one was, it isn’t the worst in the series in this reviewer’s opinion. Perhaps this was due to Spielberg’s feelings towards this film. Regardless, this film can only be recommended by the slightest of a margin. 

Trivia: The Japanese tourists running from the T–Rex in the San Diego scene is an homage to the Godzilla films because they are yelling, “I left Japan to get away from this!” in Japanese. Julianne Moore said she did this film to pay–off a divorce settlement and to work with Sir Steven Spielberg. The two animatronic T–Rex each weighed 9 tons. Due to the weight, the crew constructed sets around them rather than bring them to a set. There is roughly 50% more dinosaur action in this film than in Jurassic Park (1993). This film finished on day 69 of its 74–day shooting schedule. The T–Rex scratching its head is a direct homage to the stop–motion–animation T–Rex scratching its head in: King Kong (1933), one of Sir Steven Spielberg’s favorite films. This was the longest Jurassic Park film. Sir Steven Spielberg admitted that during the production of this film he became disenchanted with the film.

Oscar® nominated for: Best Effects – Best Visual Effects.

Sequel to: Jurassic Park (1993). Followed by: Jurassic Park III (2001), Jurassic World (2015) and Jurassic World: Fallen Kingdom (2018).

Rated: [PG–13] – Intense Sci–Fi Terror & Violence
Out Of Print on VHS & Laserdisc but Available on 4K & Regular Blu–ray, DVD & Digital Copy

Jurassic Park III (2001)

C – 92m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Return To The Island: Jurassic Park III, Return To The Island: Jurassic Park 3, Jurassic Park III: The Extinction, Jurassic Park 3: The Extinction, The Extinction: Jurassic Park III, The Extinction: Jurassic Park 3, Jurassic Park III: Breakout, Breakout: Jurassic Park III, Breakout: Jurassic Park 3, Jurassic Park 3: Breakout, Breakout: Jurassic Park, Jurassic Park: Breakout, Jurassic Park 3, JP III, JP 3
Characters Created By: Michael Crichton
Screenplay By: Peter Buchman, Alexander Payne and Jim Taylor
Exec. Prod.: Sir Steven Spielberg
Prod.s: Larry Franco and Kathleen Kennedy
Dir.: Joe Johnston
Starring: Sam Neill, William H. Macy, Tea Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter, John Diehl and Laura Dern.
Music By: Don Davis

A decidedly odd couple with ulterior motives convince Dr. Grant to go to Isla Sorna Island, resulting in an unexpected landing, and unexpected new inhabitants on the island. A step up from the second film in the series, this one boasts of even better CGI, animatronics and a couple of the original cast members returning. The script is also a noted improvement and the pacing is splendid. While this is not the classic that the first film was, this is certainly the next best entry in the series. This is the perfect B – movie for the early 2000’s. See it.

Trivia: According to William H. Macy, in an interview, the animatronic Spinosaurus had a 1,000–horsepower motor, the creature could turn its head at twice the force of gravity, with the tip of its nose moving at a speed of more than 100 miles–per–hour. Incidentally, the Spinosaurus was the largest animatronic ever built, up to that point. It weighed 12 tons and was operated by hydraulics, which allowed it to operate while completely submerged in water. The effects crew used 250 gallons of oatmeal to simulate Spinosaurus poop. The establishing wide shot of the dig site was actual footage filmed in Summer 2001 of Jack Horner’s excavation, which contained several large Tyrannosaurus Rexes and some Hadrosaurs. A few of the action sequences were borrowed from leftover ideas from the first two films. Some of them made it to being storyboarded before being scrapped due to time and budgetary constraints. The scenes included the Pteranodon and Riverboat scenes.

Shooting for this film began before the final script was completed. Stellan Skarsgard, Steve Buscemi, and Tony Shalhoub were all considered for the role of Cooper. John Williams was contacted to write the music for this film but was tied up doing the music for Steven Spielberg’s A.I.: Artificial Intelligence (2001). Williams recommended Don Davis, the man who did the music for this film, for the job. Originally the fight between the Tyrannosaurus Rex and the Spinosaurus was supposed to be longer. Extended parts of the fight can be found in the bonus features on the Blu–ray and DVD copies of the film. Incidentally, the Spinosaurus’ and the Tyrannosaurus Rexes resided on different cotenants and in different areas. The first draft of the script involved a group of teenagers marooned on Isla Sorna Island. This was the last Jurassic Park film to be shot in the 1.85:1 – Widescreen Aspect Ratio.

Sequel to: Jurassic Park (1993) and The Lost World: Jurassic Park (1997). Followed by: Jurassic World (2015) and Jurassic World: Fallen Kingdom (2018).

Rated: [PG–13] – Intense Sci–Fi Terror & Violence
Available on 4K & Regular Blu–ray, DVD & Digital Copy 

Jurassic World (2015)

C – 124m
Aspect Ratio: 2.00:1 – Widescreen – 3D & 2D
A.K.A.: Jurassic World 3D, Jurassic Park IV, Jurassic Park 4, Ebb Tide
Based On Characters Created By: Michael Crichton
Story By: Rick Jaffa and Amanda Silver
Screenplay By: Rick Jaffa, Amanda Silver, Colin Trevorrow and Derek Connolly
Exec. Prod.: Sir Steven Spielberg
Prod.s: Patrick Crowley and Frank Marshall
Dir.: Colin Trevorrow
Starring: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Jake Johnson, Omar Sy, Judy Greer, Jimmy Fallon, Jimmy Buffett (uncredited) and Brad Calhoun (uncredited).

A new theme park, built on the original site of Jurassic Park, creates a genetically modified hybrid dinosaur, which escapes containment and goes on a killing spree. For a Jurassic Park series entry, much less a film that received the hype that this film did, this film was a colossal screw up. The CGI and acting by most of the cast are about all this film has going for it. The action, (when there is any), is at best stagy and the script is at best corny; never mind the horrendously slow pace. Still, this film was a commercial success. Judge for yourself but it isn’t recommended.

Trivia: This was the first Jurassic Park film to be shot in 2.00:1 – Widescreen Aspect Ratio, the first three films were shot in 1.85:1 – Widescreen Aspect Ratio. Sir Richard Attenborough, John Hammond in Jurassic Park (1993), talked of making another appearance in the series but ultimately never did. When he died on August 24, 2014, it was written into the script, by implication that his character had died prior to the events of this film entry. This film was completed two days ahead of its 80–day filming schedule. 

Sequel to: Jurassic Park (1993), The Lost World: Jurassic Park (1997), and Jurassic Park III (2001). Followed by: Jurassic World: Fallen Kingdom (2018).

Rated: [PG–13] – Intense Sequences Of Science–Fiction Violence & Peril
Available on 4K / 3D & Regular Blu–ray, DVD & Digital Copy 

Jurassic World: Fallen Kingdom (2018)

C – 128m
Aspect Ratio: 2.39:1 – Widescreen – 3D & 2D
A.K.A.: Jurassic World 2, Ancient Futures, Jurassic Park 5
Based On The Characters Created By: Michael Crichton
Screenplay By: Derek Connolly and Colin Trevorrow
Exec. Prod.s: Sir Steven Spielberg and Colin Trevorrow
Prod.: Patrick Crowley and Frank Marshall (P.G.A.)
Dir.: J.A. Bayona
Starring: Chris Pratt, Bryce Dallas Howard, James Cromwell, Toby Jones, Jeff Goldblum, Geraldine Chaplin, Robert Emms and Peter Jason.

When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction level event. What could have been just another entry in the creature feature series turns out to be much more than that. This massively improved, from the last film entry, film boasts of almost perfect acting (except for actor), great scripting, a fantastic pace and stellar CGI. In addition of this film being a creature film, it has elements of a few classic films: 1.) The Boys From Brazil (1978) – Cloning someone and raising the clone from childhood forward & 2.) Jurassic Park (1993) & Alien (1979) – Reptile like creatures stalking humans in dark spaces. It is equal parts touching, nerve wracking, adrenaline inducing and amusing. Don’t miss this one!

For those keeping score with this reviewer’s opinions on these films: Numbers two and four are the least of the series while one, three and five are the best of the series. Odd!

Trivia: When Sam Neill was asked if he would return as Dr. Alan Grant, he indicated that he thought his time in that role had passed. This film was shot in Hawaii and the United Kingdom, some of it at Pinewood Studios. This film’s tagline was, “Life finds a way,” which is a quote from Ian Malcolm (Jeff Goldblum) in: Jurassic Park (1993). It was Goldblum’s favorite line by the way. The teaser trailer for this film premiered with: Star Wars: The Last Jedi (2017). This was the first Jurassic Park film to be filmed in 2.39:1 – Widescreen Aspect Ratio. The first 3 Jurassic films were done in 1.85:1 – Widescreen Aspect Ratio and Jurassic World was done in 2.00:1 – Widescreen Aspect Ratio. At 128 minutes in length, this is the second longest Jurassic Park film. The longest was: The Lost World: Jurassic Park (1997). Chris Pratt stated that this film required, “significantly more stunts than its predecessor.”

Sequel to: Jurassic Park (1993), The Lost World Jurassic Park (1997), Jurassic Park III (2001) and Jurassic World (2015).

Rated: [PG–13] – Intense Sequences Of Science–Fiction Violence & Peril
Available on 4K / 3D & Regular Blu–ray, DVD & Digital Copy

Justice League Films (2017–Present)

Justice League (2017)

C – 120m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Justice League Of America, Justice League Mortal
Exec. Prod.s: Ben Affleck and Christopher Nolan
Producer: Deborah Snyder
Co–Story Writer – Dir.: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Amber Heard, David Thewlis, Jesse Eisenberg and Robin Wright.
Music By: Danny Elfman

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. One cannot do much better than this film for a superhero film. Affleck is, once again, almost miscast as Bruce Wayne / Batman, though he carries it off mildly well. Everyone else is in fine form. This moves along with no real slow / dull periods in the film and the action – humor ratio is satisfactory. Adams, Irons, Lane and Simmons are always welcome!   

Trivia: Zack and Deborah Snyder stepped away from this film after their daughter’s suicide in March 2017. Joss Whedon finished the film. Danny Elfman took over for Junkie XL, who had replaced Hans Zimmer. Laurence Fishburne was asked to reprise his role as Perry White in a cameo. Due to scheduling conflicts he was unavailable to do so on the day that scene was set to film. Ben Affleck was considered to direct this film. This was Zack Snyder’s first film to be shot in the 1.85:1 – Widescreen aspect ratio. 

Rated: [PG–13] – Sequences Of Sci–Fi Violence & Action
Available on 3D and 2D Blu–ray, DVD & Digital Copy

The Tobey Maguire Spider – Man Trilogy (2002 – 2007)

The Tobey Maguire Spider – Man Trilogy (2002 – 2007)

Spider–Man (2002)

C – 121m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Spider–Man: The Motion Picture, Spiderman
Marvel Comic Book By: Stan Lee and Steve Ditko
Screenplay By: David Koepp
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, Gerry Becker, Elizabeth Banks, John Paxton, Jason Padgett, Jim Ward, David Holcomb, Octavia Spencer, Jim Norton and Stan Lee.

A geeky high school outcast gets bitten by a spider and gains superpowers. A very entertaining way to bring the comic book hero to the big screen. A good start to the trilogy.

Trivia: Hugh Jackman was supposed to have a cameo as Wolverine and even showed up to shoot the scene but the idea was scrapped because the production could not get the costume from X–Men (2000). Tobey Maguire’s nose kept filling with water during the upside–down kiss in the rain. The first issued film poster was recalled because it featured The World Trade Center as part of the NYC skyline, 9/11/2001 had just occurred.

Oscar® nominated for Best Sound and Best Visual Effects.
Rated: [PG–13] – Stylized Violence & Action
Available on 4K and regular Blu–ray, DVD & Digital Copy 

Spider–Man 2 (2004)

C – 127m (Theatrical Cut) / 135m (Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Spider–Man 2: The IMAX Experience, The Amazing Spider–Man, Spider–Man: No More, Spider–Man 2 Lives, Spider–Man 2.1, Spider–Man 1.5, Spiderman 2
Comic Book By: Stan Lee and Steve Ditko
Screen Story By: Alfred Gough, Miles Millar and Michael Chabon
Screenplay By: Alvin Sargent
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Kirsten Dunst, James Franco, Alfred Molina, Rosemary Harris, J.K. Simmons, Dylan Baker, Willem Dafoe, Cliff Robertson, Elizabeth Banks, Bruce Campbell, Stan Lee, John Paxton and John Landis.

Peter Parker’s personal life is in a tailspin as he battles Dr. Otto Octavius. Smart sequel and by far the best entry in the Raimi – Maguire trilogy. Everything works! The preferred cut is the Extended Cut. 

Trivia: Tobey Maguire was having back problems and almost didn’t make this film. Jake Gyllenhaal was set to replace him but Maguire returned for the film. The, “My back!” joke after Peter Parker falls from the roof, just happened to be in the script before Maguire’s back issues arose. (Anyone else skeptical?) When Peter Parker flips over an oncoming car, Tobey Maguire did the stunt himself. A stuntman also did it but director Sam Raimi liked Maguire’s take and thought it looked more natural, so he used it. 

Oscar® winner for: Best Visual Effects. Additionally nominated for Oscars® for: Best Sound Mixing and Best Sound Editing.

Rated: [PG–13] – Stylized Action Violence
Available in Theatrical Cut and Extended Cut on 4K and regular Blu–ray, DVD & Digital Copy

Spider–Man 3 (2007)

C – 139m (Theatrical Cut) / 137 (Editor’s Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Spider–Man 3: The IMAX Experience, Spiderman 3, 3
Marvel Comic Book By: Stan Lee and Steve Ditko
Screen Story By: Sam Raimi and Ivan Raimi
Screenplay By: Sam Raimi, Ivan Raimi and Alvin Sargent
Exec. Pro.: Stan Lee
Dir.: Sam Raimi
Starring: Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church, Rosemary Harris, J.K. Simmons, James Cromwell, Theresa Russell, Dylan Baker, Bruce Campbell, Elizabeth Banks, Willem Dafoe, Cliff Robertson, John Paxton, Becky Ann Baker, Stan Lee and Joe Manganiello. 

A dark entity from another world threatens to take over Peter Parker as he battles new villians, causing inner turmoil. Dismal final outing in the Raimi – Maguire trilogy leaves one feeling sorry that the story came to this. Watchable only as part of the series. The preferred cut is the theatrical cut, oddly.

Trivia: All of the screams Kirsten Dunst has in this film are reused from Spider–Man 2 (2004). The film took two years and ten months to make. At one point it was a consideration to split the film into two parts. Many scenes were shot that were never released theatrically as part of the film or on home video as part of the bonus features. Many of them considered too dark for consumption. This was Cliff Robertson’s final film before his death on September 10, 2011 at the age of 88.

Rated: [PG–13] Sequences Of Intense Action Violence
Available in Theatrical Cut and Editor’s Cut on 4K and regular Blu–ray, DVD & Digital Copy

The Shape Of Water (2017)

The Shape Of Water (2017)

C  / B&W – 123m
Aspect Ratio: 1.85:1 – Widescreen
Story By: Guillermo del Toro
Screenplay By: Guillermo del Toro and J. Miles Dale
Pro. – Dir.: Guillermo del Toro
Starring: Sally Hawkins, Michael Shannon, Richard Jenkins, Octavia Spencer, Michael Stuhlbarg, Doug Jones, David Hewlett and Nick Searcy.

In the 1950’s a lonely janitor at a top-secret research lab starts a relationship with an amphibious creature that is being held in captivity. A creature film in the style of The Creature From The Black Lagoon (1954), right down to the design of the creature; difference being: this is a love story. The film is by no means fast paced but it has the visual flair of del Toro to off–set it. Period detail is nice, sets are impeccable, costumes are tops and the actors play their parts with gusto. How can you go wrong? The only complaint here is that it is a creature film from the 1950’s released in 2017. In short: It has all been done before. Unlike most creature films though you actually feel for the creature here. Between that and the romance element being played in an entirely different way makes this a film worth watching. 

Trivia: The creature’s design here was heavily influenced by the title creature in the film: The Creature From The Black Lagoon (1954). Guillermo del Toro reportedly wrote backstories for all the characters and offered them to the actors. Some utilized them (Michael Stuhlbarg) while others ignored them (Richard Jenkins). Guillermo del Toro started work on this film in 2011.

Oscar® winner for: Best Picture – Guillermo del Toro and J Miles Dale, Best Director – Guillermo del Toro, Best Original Score and Best Production Design. Additionally nominated for Oscars® for: Best Actress – Sally Hawkins, Best Supporting Actor – Richard Jenkins, Best Supporting Actress – Octavia Spencer, Best Original Screenplay – Guillermo del Toro and Vanessa Taylor, Best Cinematography, Best Costume Design, Best Sound Editing, Best Sound Mixing and Best Film Editing. Golden Globe winner for: Best Director – Motion Picture – Guillermo del Toro and Best Original Score – Motion Picture. Additionally nominated for Golden Globes for: Best Motion Picture – Drama, Best Actress – Motion Picture Drama – Sally Hawkins, Best Supporting Actor – Motion Picture – Richard Jenkins, Best Supporting Actress – Motion Picture – Octavia Spencer, Best Original Screenplay – Guillermo Del Toro.

Rated: [R] – Sexual Content, Graphic Nudity, Violence & Language
Available on Blu–ray, DVD & Digital Copy

Life (2017)

Life (2017)

C – 104m
Aspect Ratio: 2.39:1 – Widescreen
Screenplay By: Rhett Reese and Paul Wernick
Dir.: Daniel Espinosa
Starring: Hiroyuki Sanada, Ryan Reynolds, Rebecca Ferguson, Jake Gyllenhaal and Ariyon Bakare.

A team of scientists aboard the International Space Station discover a rapidly evolving life form that caused extinction on Mars and now threatens all life on Earth. While this film is basically a retooling of Alien (1979), (see Trivia), it is a better–paced version of it in this reviewer’s opinion. There is one good kill in this film. Everything else is pretty much what you would expect to see.

Trivia: Ryan Reynolds intended to play the lead role but took the supporting role due to scheduling conflicts with this film while making: The Hitman’s Bodyguard (2017). Rebecca Ferguson almost didn’t make the movie until she met with director Daniel Espinosa who talked her into doing the film. This was Skydance’s first [R]–rated film. In a TV Spot (commercial) it was revealed that this movie reused old B–Roll footage from Spider–Man 3 (2007). This was inspired by the film: Alien (1979).   

Rated: [R] – Language Throughout, Some Sci–Fi Violence & Terror
Available on Blu–ray, DVD & Digital Copy

Other Jack The Ripper Films & Shows (1961–2017)

 Thriller: Season 1, Episode 28: Yours Truly, Jack The Ripper (1961)

B&W – 60m
Aspect Ratio: 1.33:1 – Fullscreen
Story: Yours Truly, Jack The Ripper by Robert Bloch
Adaptation By: Barre Lyndon
Prod.: William Frye
Dir.: Ray Milland
Starring: Boris Karloff, John Williams, Donald Woods, Edmon Ryan, Ottola Nesmith, Adam Williams, Nancy Valentine, Sam Gilman, Gloria Blondell and J. Pat O’Malley.
Music By: Jerry Goldsmith

70 years after the Jack The Ripper killings in London, Sir Guy convinces the police that Jack The Ripper may still be alive, eternally young, and still killing, currently in New York City. Smart and spooky rendering of the tale of Jack The Ripper. While the gory sensationalism of the later Ripper film and television outings is absent, the atmosphere and tension of “Who is Jack The Ripper,” is present and makes this a must watch. Milland handled the directorial work splendidly and the actors are capable. Karloff, “The Gentle Monster”, intros this tale of suspense with his soothing voice very nicely. He was the perfect host for this show. 

Trivia: The director of this episode of Thriller, Ray Milland starred in Sir Alfred Hitchcock’s Dial M For Murder with actor John Williams. The story’s author Robert Bloch is the same man who wrote the novel Psycho (1960) was based on. He subsequently wrote sequels to Psycho and a Jack The Ripper novel, after this short story, titled: Night Of The Ripper.

Out Of Print on DVD but Available on YouTube and Digital Copy

Time After Time (1979)

C – 112m
Aspect Ratio: 2.35:1 / 2.39:1 – Widescreen (Theatrical Ratio) / 2.40:1 – Widescreen (Blu–ray Ratio)
Story: Time After Time by Karl Alexander and Steve Hayes
Screenplay By: Nicholas Meyer
Dir.: Nicholas Meyer
Starring: Malcolm McDowell, David Warner, Mary Steenburgen, Michael Evans, John Colton, Corey Feldman, Neil Armstrong (archival sound), Sir Winston Churchill (archival sound), Jimi Hendrix (archival footage), John F. Kennedy (archival sound), Douglas MacArthur (archival sound), Edward R. Murrow (archival sound), Franklin D. Roosevelt (archival sound).

H.G. Welles chases Jack The Ripper through time to the 20th Century when the serial murderer uses the future writer’s time machine to escape his own time. Smart and literate Sci–fi yarn pits H.G. Welles brilliantly against Jack The Ripper. This premise has spawned several books over the years and a failed TV show in 2017 (see review below). A cult classic like this is stylish though somewhat average. Worth watching over the failed show with the same title though!   

Trivia: Malcolm McDowell and Mary Steenburgen met and fell in love while making this film. They were subsequently married from September 29, 1980 – October 1, 1990. Screenwriter – director Nicholas Meyer chose not to let them meet before they filmed the scene where they meet in order to keep their reaction fresh for the take. Malcolm McDowell listened to recordings of H.G. Welles to prep for his role as Welles. The real Welles’ voice was high and croaky according to McDowell, hence he chose not to imitate it. All four of H.G. Welles’ children were still alive when this film was released. A deleted scene had H.G. Welles meeting a punk on a bus who was playing loud music on a boom–box. The premise of the scene was later used in Star Trek IV: The Voyage Home (1986), which was also co–written and directed by Nicholas Meyer. In the chase scenes at the hotel David Warner had a stunt double as he was recovering from two broken ankles at the time. In the close–ups you can see him running gingerly so as to not hurt himself. This was Corey Feldman’s film debut. Reportedly, Nicholas Meyer originally wanted Edward Fox as The Ripper; then he considered Mick Jagger as The Ripper but just couldn’t see him in the role. The studio wanted Sally Field for the role that went to Mary Steenburgen. This was the second Jack The Ripper film of 1979, the other was: Murder My Decree (1979) (see review in another entry).

Rated: [PG]
Out Of Print on Laserdisc Available on Blu–ray, DVD & Digital Copy through The Warner Archive Collection 

Jack’s Back (1988)

C – 97m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: A Knife To Kill, The Ripper, Red Rain
Writer – Dir.: Rowdy Herrington
Starring: James Spader, Cynthia Gibb, Jim Haynie, Robert Picardo, Rod Loomis and Chris Mulkey.

A serial killer in Los Angeles, California celebrates Jack The Ripper’s 100th birthday (anniversary) by committing similar murders and only one person has a chance at stopping him. This reviewer will resist the urge to make cutting remarks about this film. However the film does have a slow pace, iffy acting and a script that never builds suspense. It plays like a television movie, at best. Still, James Spader does his best with the lackluster material. As noted in the description of the film, the “birthday” of Jack The Ripper is actually the anniversary of his killings. This reviewer does not know many babies with surgical skills. 

Trivia: Director Harrington wanted the title to be: Red Rain, and to have Peter Gabriel’s song play over the opening credits. Due to budget restraints, he couldn’t get the rights to the song. So he had Paul Saax compose: “Red Harvest”. At the last minute the studio decided Red Rain had nothing to do with the film and changed the title to Jack’s Back.

Rated: [R]
Out Of Print on VHS & Laserdisc but Available on Blu–ray, DVD & Digital Copy

The Ripper (1997)

C – 96m
Aspect Ratio: 1.33:1 – Widescreen
A.K.A.: Ripper
Written By: Robert Rodat
Exec. Prod.: Mark Gordon
Dir.: Janet Meyers
Starring: Patrick Bergin, Gabrielle Anwar, Samuel West, Michael York, Essie Davis, Karen Davitt and Josephine Keen.

The tale of Jack The Ripper and the lives of the people around him. “…Someone’s sneakin’, ‘round the corner...” A typical Jack The Ripper tale is boosted by the approach of focusing on the royal family rather than the victims. While this is a 1990’s television movie, it has the quality of an indie film sleeper hit. There are some factual errors as with any Ripper film / show. This is more of a drama than a mystery but the suspense still builds making it a good thriller.

Trivia: Samuel West previously played Prince Albert Victor Edward as a young child in: Edward The King (1975), in which his father, Timothy West, played the title role.

Rated: [R] – Violence & Sexuality
Out Of Print on VHS and not available on YouTube or Digital Copy, though it occasionally runs on TV 

Ripper (2001)

C – 114m
Aspect Ratio: 1.85:1 – Widescreen
A.K.A.: Ripper: Letter From Hell
Story By: John A Curtis and Evan Tylor
Screenplay By: Pat Bermel and Neil Bermel
Exec. Prod. – Prod.: John A Curtis (as John Cutis)
Dir.: John Eyres
Starring: A.J. Cook, Bruce Payne, Ryan Northcott, Derek Hamilton, Daniella Evangelista, Emmanuelle Vaugier, Kelly Brook and Bruce Pinard.

A massacre survivor studies serial killers under a famous expert, but her classmates soon start dying at the hands of a Jack The Ripper copycat. Excesses of excesses hamper this otherwise okay gory chiller. Followed by a sequel: Ripper 2: Letter From Within (2004).

Rated: [R] – Violence / Gore, Sexuality & Language
Available on DVD & Digital Copy 

Ripper 2: Letter From Within (2004)

C – 85m (Uncut) 89m (DVD)
Aspect Ratio: 1.85:1 – Widescreen
Story By: Evan Tylor, Jonas Quastel, and John A. Curtis
Screenplay By: Jonas Quastel and John Sheppard
Additional Screenplay By: Pat Bermel and Neil Bermel
Exec. Prod.: John A. Curtis
Dir.: Jonas Quastel and Lloyd A. Simandl
Starring: Erin Karpluk and Richard Bremmer

When Ripper Murders start occurring to a haunted mental patient who survived the first film, time will tell who the killer is. A killer is on the loose in the nut house plot works rather well here. Better pacing than the first film and more of a coherent story make this superior to its predecessor. 

Rated: [R] – Strong Sexual Content, Violence & Language
Available on DVD & Digital Copy 

Ripper Street: The Complete Series (2012 – 2017)

C – 59m. Per Episode
Aspect Ratio: 16X9 / 1.78:1 – Widescreen
Dir.: Various. Writers: Various.

Starring: Matthew Macfadyen, Adam Rothenberg, MyAnna Buring, Jerome Flynn, David Wilmot, Charlene McKenna, David Dawson, Anna Burnett, Clive Russell and others.

The crimes of Jack The Ripper, and some of the other criminals, on the streets around the time of the Ripper killings, as they relate to Inspector Reid and company. Excellent telling of The Ripper tale bookending a series of crimes committed by thugs, rapists, murderers, and sometimes even the police force. Not one false note in this series. Although the episode count is low, the body count is high and the production is vivid. A must for Ripperphiles and fans of period piece films and shows! Be forewarned: This is NOT for the squeamish. Disclaimer: This reviewer is a self-taught Ripperphile and therefore holds some prejudice in favor of this show and others like it.     

Trivia: BBC 1 and BBC America decided to cancel the show in 2013 after two seasons. Amazon.com picked up the show and aired it on their streaming service and on BBC 1 and BBC America. That stint ran three additional seasons; totaling five seasons and 36 episodes. This show was filmed primarily in the U.K. and England.

Available on Blu–ray, DVD & Digital Copy.

Time After Time: The Complete Series (2017)

C – 552m
Writers: Various
Novelization: Time After Time by Karl Alexander
Dir.s: Various
Starring: Freddie Stroma and Josh Bowman.

H.G. Welles takes his time machine through time to chase Jack The Rippers and other notable Troubledoers. This abysmal attempt to bring the Nicholas Meyer cult classic to the small screen for the modern audience should be avoided at all cost. By that this reviewer means: don’t spend money to see it! The acting resembles Charlie McCarthy sans humor and the story is stretched beyond reason. What is left is 552 minutes of agony for anyone that has good will towards the 1979 cult classic film, from which this abomination is derived. Weirdly the television show: Sleepy Hollow (2013–2017), derived from the 1999 Tim Burton film, succeeds where this one failed, in this reviewer’s opinion. Others may think differently on these points of course. But in the interest of saving people time after time, don’t bother with this one!

Available on Digital Copy

The Twilight Saga (2008 – 2012)

Twilight (2008)

C – 122m (Theatrical Cut) / 126m (Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: The Twilight Saga: Twilight, Twilight Saga: Twilight, Twilight 1
Novel: Twilight by Stephenie Meyer
Dir.: Catherine Hardwicke
Starring: Kristen Stewart, Sarah Clarke, Billy Burke, Gil Birmingham, Taylor Lautner, Anna Kendrick, Nikki Reed, Kellan Lutz, Ashley Greene, Jackson Rathbone, Robert Pattinson, Ned Bellamy and Stephanie Meyer.

A teenage girl risks everything when she falls in love with a vampire. The first entry in The Twilight Saga (2008–2012) is pretty good. It certainly launched the prominence of the careers of Lautner, Stewart and Pattinson, though they had all done work previously. Director Hardwicke also saw a boost in her career. Worth a watch.

Trivia: Robert Pattinson is actually playing the piano when Edward plays, “Bella’s Lullaby.” Nikki Reed was the one who suggested putting Robert Pattinson’s songs on the soundtrack. She recorded some of his songs with her laptop and brought them to the producers when she pitched the idea. He accepted the next day. In the scene where Bella goes to The Cullen house Nikki Reed’s character breaks a bowl, Nikki Reed is wearing gloves in the scene. That is because in an earlier take of breaking the bowl she cut her hands. For a few weeks before filming began on Twilight Robert Pattinson stopped talking to people so he could feel as isolated as Edward did. Kristen Stewart wore hair pieces so that she would have more time to shoot.

Rated: [PG–13] – Some Violence & A Scene Of Sensuality
[UNRATED] – More Of The Same
Available in Theatrical Cut & Extended Cut on Blu–ray, DVD & Digital Copy 

The Twilight Saga: New Moon (2009)

C – 130m (Theatrical Cut) / 137m (Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Twilight Saga: New Moon, New Moon: Twilight Saga, Twilight: New Moon, New Moon, Twilight 2
Novel: New Moon by Stephenie Meyer
Starring: Kristen Stewart, Robert Pattinson, Billy Burke, Anna Kendrick, Taylor Lautner, Ashley Greene, Jackson Rathbone, Michael Sheen, Nikki Reed, Gil Birmingham, Graham Greene and Dakota Fanning.

Edward leaves Bella after an attack that nearly claimed her life. In her depression she falls partially for a shape–shifter (werewolf), Jacob Black. Pretty good sequel to the first one. Nothing special though. The book was far superior to the film though, in this reviewer’s opinion. 

Trivia: This was Robert Pattinson’s favorite book in the series. Taylor Lautner hated his long haired wig.

Rated: [PG–13] – Some Violence & Action
[UNRATED] – More Of The Same
Available in Theatrical Cut and Extended Cut on Blu–ray, DVD & Digital Copy

The Twilight Saga: Eclipse (2010)

C – 124m (Theatrical Cut) / 129m (Extended Cut) / 131m (Full Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Twilight Saga: Eclipse, Eclipse: Twilight Saga, Twilight: Eclipse, Twilight 3, Eclipse
Novel: Eclipse by Stephenie Meyer
Starring: Kristen Stewart, Robert Pattinson, Billy Burke, Anna Kendrick, Jackson Rathbone, Ashley Greene, Nikki Reed, Taylor Lautner, Gil Birmingham, Jack Huston and Dakota Fanning.

A series of killings are scaring the residents of Seattle and Bella must choose between Edward and Jacob. The best film of the series in this reviewer’s opinion. The pacing is much improved over the previous entries and although this is the bridge story, it doesn’t feel that way. It has some stunning CGI for the time it was made.

Trivia: Kristen Stewart wore a wig for this film after cutting her hair short for The Runaways (2010). According to Taylor Lautner on Jimmy Kimmel Live!, the wolves could not have genitalia due to censors. This could also be a planned joke. Kristen Stewart received her high school diploma one week before filing Bella’s graduation ceremony. She took a mock (fake) graduation photo with an extra so that she would have a photo of her graduating high school. Tom Felton (Draco Malfoy in the Harry Potter series) and Channing Tatum were both considered for the role of Riley. Miranda Kerr and Vanessa Hudgens were considered to play Leah Clearwater. Paul Weiz, Drew Barrymore, James Mangold and J.A. Bayona were all considered as potential directors for the film. This was Taylor Lautner’s favorite book in the series.

Rated: [PG–13] – Intense Sequences Of Action And Violence, & Some Sensuality
[UNRATED] – More Of The Same
Available in Theatrical Cut and Extended Cut on Blu–ray, DVD & Digital Copy

The Twilight Saga: Breaking Dawn – Part 1 (2011)

C – 117m (Theatrical Cut) / 122 (Extended Cut) / 125m (Full Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Twilight Saga: Breaking Dawn – Part 1, Twilight: Breaking Dawn – Part 1, Twilight: Breaking Dawn, Breaking Dawn: Part 1, Twilight 4: Part 1, Breaking Dawn, Twilight 4
Novel: Breaking Dawn by Stephenie Meyer
Starring: Taylor Lautner, Gil Birmingham, Bill Burke, Kristen Stewart, Ashley Green, Jackson Rathbone, Nikki Reed, Robert Pattinson, Anna Kendrick, Michael Sheen and Stephenie Meyer.

The government of vampires close in on just married and expecting parents Bella and Edward and the Cullen family. The soon to be born child poses at threat to the werewolves, vampires and humans. A step down from the last film but still solid entertainment. The emaciated look that Stewart has is haunting.

Trivia: The sex scene between Bella and Edward originally landed the film with an: [R] rating from the MPAA. The scene was edited down to meet the requirements of a: [PG–13] rating. Kristen Stewart and Robert Pattinson appeared on talk shows talking and joking bluntly about what had to be trimmed. Sophia Coppola was interested in directing this film but she only wanted to do one film. She didn’t get the job because Summit Entertainment wanted to split the book into two films.

Rated: [PG–13] – Disturbing Images, Violence, Sexuality / Partial Nudity & Some Thematic Elements
[UNRATED] – More Of The Same
Available in Theatrical Cut and Extended Cut on Blu–ray, DVD & Digital Copy

The Twilight Saga: Breaking Dawn – Part 2 (2012)

C – 115m (Theatrical Cut) / 122 (Extended Cut)
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Twilight Saga: Breaking Dawn – Part 2, Twilight: Breaking Dawn – Part 2, Breaking Dawn: Part 2, Twilight 4: Part 2, Twilight 5
Novel: Breaking Dawn by Stephenie Meyer
Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli, Ashley Greene, Jackson Rathbone, Nikki Reed, Billy Burke, Michael Sheen and Dakota Fanning.

After the birth of their daughter Bella, Edward and family gather to defend the child from destruction at the hands of the vampire government. Well–done and action–packed finale in the series.

Trivia: The end credits are for the entire series, not just this entry. Both an animatronic baby and three–week old babies were used in the filming. Kristen Stewart preferred to work with the real babies because she felt that it helped her give a better performance.

Rated: [PG–13] – Sequences Of Violence Including Disturbing Images, Some Sexuality & Partial Nudity
Available on Blu–ray, DVD & Digital Copy

Dr. Jekyll & Mr. Hyde Films

Dr. Jekyll And Mr. Hyde (1920)

B&W – 79m (Running times vary, beware of shorter prints)
Aspect Ratio: 1.33:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: John Barrymore, Martha Mansfield and Brandon Hurst.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. Hyde is horrifying to look at and is very well played by Barrymore. A good early, and surviving, rendering of the classic Robert Louis Stevenson tale. On a trivia note it has been reported that Tallulah Bankhead was originally offered the role of Millicent before it finally went to Martha Mansfield.

Available on Blu–ray, DVD & Digital Copy

Dr. Jekyll And Mr. Hyde (1931)

B&W – 98m
Aspect Ratio: 1.20:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: Fredric March, Miriam Hopkins, Rose Hobart and Holmes Herbert.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. March won an Oscar® for Best Actor for his performance (the first time a horror film won an Oscar® by the way). The film was additionally nominated for Best Writing, Adaption and Best Cinematography. Aside from the aforementioned areas the film offers nothing new but is masterfully done for its time The makeup may be a tad overdone for some.

Available on DVD & Digital Copy

Dr. Jekyll And Mr. Hyde (1941)

B&W – 113m
Aspect Ratio: 1.37:1 – Fullscreen
Novel By: Robert Louis Stevenson
Dir.: Victor Fleming
Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, Ian Hunter, Barton MacLane, C. Aubrey Smith, Peter Godfrey, Francis Robinson, Denis Green, Billy Bevan, Forrester Harvey, Ted Billings, Hillary Brooke, Douglas Gordon, Stuart Hall, Brandon Hurst, Colin Kenny, Doris Lloyd, Aubrey Mather, Milton Parsons, Gil Perkins, John Power, Clara Reid, Patsy Shaw and Martha Wentworth.

Dr. Henry Jekyll experiments on himself, and becomes into the monstrous Mr. Hyde. Very little makeup was used on Tracy in this wonderful film version of the classic Robert Louis Stevenson novel. Beautiful cinematography, lighting and acting all around, masterfully handled by director Victor Fleming. A horror film MUST!

Available on DVD & Digital Copy

The Two Faces Of Dr. Jekyll (1960)

C – 88m
Aspect Ratio: 2.35:1 – Widescreen
A.K.A.: Dr. Jekyll And Mr. Hyde, Schlag 12 In London, House Of Fright, Jekyll’s Inferno
Screenplay By: Wolf Mankowitz
Starring: Paul Massie, Dawn Addams, Sir Christopher Lee, Oliver Reed and Joe Robinson.

Dr. Henry Jekyll experiments on himself and becomes the monstrous Mr. Hyde. Well–mounted Hammer House production of the classic Stevenson novel boasts of fine performances and some good chills. The usual Hammer twist of sex and violence is added here of course, but that is part of the fun!

Available on Blu–ray & DVD

Dr. Jekyll And Mr. Hyde (1973)

C – 78m.
Aspect Ratio: 1.33:1 – Fullscreen
Novel By: Robert Louis Stevenson
Starring: Kirk Douglas, Susan George, Susan Hampshire, Stanley Holloway, Donald Pleasence and Michael Redgrave.

Dr. Henry Jekyll experiments on himself, and becomes into the monstrous Mr. Hyde. A handsomely mounted musical production of the Stevenson tale takes full advantage of the talents of the cast and it pays off. While the pacing is a bit stilted the musical numbers are fun and the cast is more than game. Period detail helps too.

Out Of Print on VHS but Available on YouTube with commentary.

Thor Series (2011, 2013 & 2017)

Thor (2011)

C. – 115m
Aspect Ratio: 2.35:1 – Widescreen; 3D & 2D
A.K.A.: Thor, God Of Thunder, Manhattan
Dir.: Kenneth Branagh.
Starring: Chris Hemsworth , Sir Anthony Hopkins, Natalie Portman, Tom Hiddleston, Stellan Skarsgard, Idris Elba, Rene Russo, Stan Lee and Samuel L. Jackson.

Thor is cast out of Asgard due to his arrogance. He must work his way back by learning humility and helping humans. Meanwhile a small group of scientist want to learn about him and his world. A great start to the series of films! Everyone is in top form and the story is rich and full to boot. No complaints!

Trivia: The Hemsworth brothers, Chris and Liam were up against each other for the role of Thor, ultimately Chris Hemsworth won. When Anthony Hopkins and Chris Hemsworth saw each other in costume for the first time Hopkins said, “God, there is no acting required here, is there?” Stan Lee has often said he wanted to play Odin. Since the film was made though, he has stated he was very happy with Sir Anthony Hopkins in the role. And finally the film makes extensive use of actual Norse Mythology.

The preferred viewing format is 3D, though 2D is available.  Please note: This is a Marvel film, stay all the way through the end credits to see all the cut scenes.

Rated: [PG–13] – Sequence Of Intense Sci–Fi Action & Violence
Available on 3D & 2D Blu–ray, DVD & Digital Copy

Thor: The Dark World (2013)

C. – 112m
Aspect Ratio: 2.35:1 – Widescreen; 3D & 2D
A.K.A.: Thor 2: The Dark World, Thor 2
Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Sir Anthony Hopkins, Idris Elba, Rene Russo, Stellan Skarsgard, Stan Lee, Benicio Del Toro and Chris Evans.

Thor must rescue Jane from Peril. After The Avengers (2012), this film feels more like Thor 3 rather than Thor 2. There is not much in the way of the story and the CGI is a tad too bountiful. Pacing also appears slower. It is however still entertaining and the actors do their bests with the material handed to them. Worth a watch.

Trivia: Hemsworth improvised the action of Thor hanging his hammer up on a coat hook, 1 hour 23 minutes into the movie. He had been playing with it in between takes. There are several other instances of adlibs or improvisation in the film. “Banana Balls,” being another example.

As with the first film, the preferred viewing format is 3D, though 2D is also available. Note: As this is a Marvel film, stay all the way through the end credits to see all the cut scenes.

Rated: [PG–13] – Sequences Of Intense Sci–Fi Action And Violence, & Some Suggestive Content
Available on 3D & 2D Blu–ray, DVD & Digital Copy

Thor Ragnarok (2017) Movie Poster

Thor: Ragnarok (2017) Film Review

C. – 130m.

Aspect Ratio: 2.39:1 – Widescreen; 3D & 2D

A.K.A.: Mighty Thor: Battle Royal, Thor 3: Ragnarok, Thor 3

Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Jeff Goldblum, Karl Urban, Mark Ruffalo, Sir Anthony Hopkins, Benedict Cumberbatch, Luke Hemsworth, Sam Neill, Matt Damon and Stan Lee.

An imprisoned Thor finds himself in a Gladiator situation with The Hulk. Can he survive it and save his world from obliteration by Hela? A step up from the previous entry, Thor: The Dark World (2013). Audiences will find a plethora of humor here. There are a couple of slow parts that mar the middle of the film but, as per-usual with Marvel’s films, the film rises above it and ends on a perfect note.

Trivia: A Make A Wish child, who was visiting the set suggested Thor’s line, “A friend from work,” about The Hulk. Additionally, 80% of the dialogue was adlibbed by the cast. And finally, this is the first film in the Marvel Universe that does not have Lou Ferrigno voicing The Hulk, instead it is Mark Ruffalo that you hear.

As With the first two films, the preferred viewing format is 3D, as usual 2D is also available. And yet again, as this is a Marvel film, stay all the way through the end credits to see all the cut scenes.

Rated: [PG–13] – Intense Sequences Of Sci–Fi Violence And Action, & Brief Suggestive Material.

Available on 3D & 2D Blu–ray, DVD & Digital Copy.